1990s

An aging ballet legend who defected to France years before returns home to Poland for the first time to appear in a charity performance, and he immediately clashes with his ex-wife, who stayed behind when he defected.Read More »

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Marlon E. Fuentes’ Bontoc Eulogy is a haunting, personal exploration into the filmmaker’s complex relationship with his Filipino heritage as explored through the almost unbelievable story of the 1,100 Filipino tribal natives brought to the U.S. to be a “living exhibit” at the 1904 St. Louis World’s Fair. For those who associate the famous fair with Judy Garland, clanging trolleys, and creampuff victoriana, Bontoc Eulogy offers a disturbing look at the cultural arrogance that went hand-in-hand with the Fair’s glorification of progress. The Fair was the site of the world’s largest ever “ethnological display rack,” in which hundreds of so-called primitive and savage men and women from all over the globe were exhibited in contrast to the achievements of Western civilization.Read More »

Synopsis:
A young boy’s life in turn-of-the-century France. Marcel, witnesses the success of his teacher father, as well as the success of his arrogant Uncle Jules. Marcel and family spend their summer vacation in a cottage in Provence, and Marcel befriends a local boy who teaches him the secrets of the hills in Provence.Read More »

Synopsis:
Every holiday Marcel and his family go to their cottage in the Provence (France). He likes the hills in this region. Before they arrive at the cottage they have to walk about 5 miles. With the co-operation of an ex-pupil of Marcel’s father, who’s a teacher, they only have to walk 1 mile, since they can take a shortcut along a canal, through the backyards of some eccentric people. During one of these holidays he meets Isabelle, a pretty but conceited girl…Read More »

The film tells the stories of three end-of-the millennium Cubans, whose lives intersect on the Day of Santa Barbara (the African Saint Chango, ruler of destinies). Mariana, a ballerina, ponders breaking chastity vows she made to land the coveted role of Giselle; Julia has fainting spells each time she hears the word “sex,” and Elpidio, a musician, seduces a gringa tourist while Bebe, the narrator, takes us for a taxi ride along the streets of Havana. In Life Is to Whistle, Fernando Perez displays the same cinematographic lyricism that won his first film, Madagascar, the Special Recognition in Latin American Cinema award at the 1996 Sundance Film Festival. Read More »

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Beginning in South Africa under the apartheid regime, the film follows a young girl who flees the country after a violent confrontation with a local white landowner in which her father is killed. She settles in Abidjan, where, ten years later, she has become a university student. As part of her studies, she visits the Taureg tribe on the edge of the Sahara before at last returning to post-Apartheid South Africa.Read More »

Plot Synopsis:
While driving home one day, David, a graphic designer and recovering addict, sees a young girl on the edge of a bridge, possibly about to jump to her death. He rescues the girl, named Aura, who is also an addict and an anorexic. The two are suddenly separated, though, when Aura is reunited with her oddball parents. That night, Aura’s mom is holding a séance, which is interrupted by “The Headhunter” — a serial killer who beheads victims with an electric cutting wire.Read More »

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Never one to shy away from touchy subject matter, Bigas Luna seems determined to become to Spain what Russ Meyer is to America and Tinto Brass is to Italy. One of his most explicit works to date, The Ages of Lulu (Les edades de Lulú) begins like a fairly standard knockoff of 9 1/2 Weeks but swerves into far more dangerous waters that could only be explored in Europe. Sweet little Lulu (Live Flesh’s Francesca Neri) discovers her sexual awakening at the hands of older, self-absorbed Pablo (Óscar Ladoire), who makes her acquaintance by shaving her nether regions (“…so you’ll look prettier”). Read More »

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A slow-burning masterwork of the early 1990s, this third feature by Charles Burnett is a singular piece of American mythmaking. In a towering performance, Danny Glover plays the enigmatic southern drifter Harry, a devilish charmer who turns up out of the blue on the South Central Los Angeles doorstep of his old friends. In short order, Harry’s presence seems to cast a chaotic spell on what appeared to be a peaceful household, exposing smoldering tensions between parents and children, tradition and change, virtue and temptation. Interweaving evocative strains of gospel and blues with rich, poetic-realist images, To Sleep with Anger is a sublimely stirring film from an autonomous artistic sensibility, a portrait of family resilience steeped in the traditions of African American mysticism and folklore.Read More »