Quote: Locked in the world of everyday life, the woman – a mother of three children – not wanting to lose her beloved man, her husband, hides another pregnancy from him. She finds herself in a no-win situation. It is impossible to conceal her condition any longer, and whatever she does will be the wrong solution. A tragedy occurs. When the woman finally begins to be aware that outside her home there is another life, other people, another world – it is too late for everything.Read More »
Quote: Tilaï opens to a long sequence, off-axis shot of a lone traveler moving away from view as he slowly traverses the arid, featureless plain on a lumbering, overburdened mule and disappears into the desolate horizon. It is an appropriately distanced and alienated introduction for the weary, but sanguine Saga (Rasmane Ouedraogo) who, after an extended journey away from his native village, has returned to the foreboding sight of anxious villagers assembled at a clearing near the entrance of the intimate community. Greeted by his brother Kougri (Assane Ouedraogo) who heads off Saga at the footpath to the village on behalf of the family, Kougri informs him of an unforeseen (and reprehensible) development during his absence: the marriage of his beloved Nogma (Ina Cissé) to their father Nomenaba (Seydou Ouedraogo), having changed his mind and taken the reluctant young woman – once promised to Saga by the old man himself – as his second wife.Read More »
Quote: The movie’s plot is based on the true story of a group of young computer hackers from Hannover, Germany. In the late 1980s the orphaned Karl Koch invests his inheritance in a flat and a home computer. At first he dials up to bulletin boards to discuss conspiracy theories inspired by his favorite novel, R.A. Wilson’s “Illuminatus”, but soon he and his friend David start breaking into government and military computers. Pepe, one of Karl’s rather criminal acquaintances senses that there is money in computer cracking – he travels to east Berlin and tries to contact the KGB.Read More »
Marco Sperelli is a teacher, he is divorced and he is sent to work in Corzano, a town near Naples. The first day of work he finds in the school only the school-caretaker and few girls and boys in the class-room. He goes out looking for them and he discovers then a wretched life led by the boys and the girls of Corzano. A life in which only power and violence are worth respecting. Sperelli tries to teach something different but he gets their respect only by slapping Raffaele, on the way to became a camorrist. His presence and his work, however, disturb too many persons and he will be transferred.Read More »
Quote: Richard Linklater’s follow-up to Slacker, Dazed and Confused, flopped at the box office, but Dazed and Confused went on to become a huge cult hit. It’s set somewhere in suburban Middle America (filmed in Texas) on May 28, 1976, on the last day of school, and everyone’s looking for something exciting to do. First, however, the incoming freshmen students must spend the day fleeing from bizarre initiation rituals from paddle-wielding, abusive seniors – while everyone else does their best to get stoned or get laid. Set over the course of 24 hours, Linklater’s observations about the rituals of teenage life, and about small town mentality, is spot on – as is his attention to the smallest details of time and place. The camera swerves between some two dozen youngsters and a handful of stories, but Linklater keeps everything and everyone on the same level. All parties congregate at a huge beer bust in the middle of the woods, but amidst the keg parties, fights, dope-smoking, classic rock tunes, and endless partying, not much happens.Read More »
A sensitive, well-observed film, beautifully lensed and acted… ~ Deborah Young, Variety
Pietro Di Leo, security officer of a department store in Milan, where the girl he is dating also works as a make-up artist, is separated from his wife and with a son that he only sees on weekends. He is a very dissatisfied man, whose psychosomatic suffering (loss of nose bleeds, outbursts of anger, visions) reveals a situation of profound discomfort. One day, however, he meets Pabe, a young Roma who has to get rid of the warehouse and who will then let go when she is caught stealing a perfume. At first intrigued, but then increasingly fascinated, Pietro decides to help her…Read More »
Three soldiers are ordered to change their gender (via a pill) and are sent on a secret mission (undercover as show girls) to the women only planet of Clitoris’ capital city “Vegas in Space.” Once they arrive, they must maneuver through complex politics and decadent parties, to uncover a plot to disrupt the most important pleasure planet in the Universe. This release from Troma Entertainment is a hilariously camp John Waters-esque sci fi.Read More »
From The Director Of Survey Map Ofia Paradise Lost And Love-Zero=Infinity
Throughout the 1980s and 1990s, the sledgehammer style of Hisayasu Sato helped redefine Japanese erotic cinema with carefully constructed characters that would walk the fine line between decadence and innocence. Known for his guerrilla techniques, using a style born out of constricted budgets, Sato’s raw camerawork accurately depicts the reality of modern life.
Rafureshia, or as it is also known, Wife in Heat: While Husband Is Away, is the darkly humorous story of three very different women and their search through their sexuality into the freedom that lies beyond it.Read More »
Quote: Starting in the 1960s in the Bay Area, artist Bruce Nauman made sculptures from nonart materials like dirt, neon, polyester resin and burlap. With a fertile, almost frenzied creativity, Nauman also pioneered video installations and body art. Now something of a recluse, living in New Mexico, Nauman continues to exert art-world influence. Last year, UC Press published a comprehensive volume about his early period, A Rose Has No Teeth. The book, however, lacked a companion DVD—too much of Nauman’s art depends on time and movement to be captured in static illustrations. Bruce Nauman: Make Me Think, a 66-minute 1997 film by Heinz Peter Schwerfel, now available from Facets, provides that missing link. Read More »