1980s

Quote:
The graceful and moving essay film Twilight City is one of the Black Audio Film Collective’s sharpest and most sensual evocations of contemporary Afro-Caribbean life. The film blends a dreamlike personal reflectiveness with a hard-edged critical reading of London life under Margaret Thatcher. The (fictional) central figure is a young black British researcher, Octavia (Amanda Symonds), who one day receives a letter from her mother, Eugenia, who is based in Dominica. After 10 years back in her home country, the disaffected Eugenia yearns to return to London so she may once again live with her daughter. While Octavia composes her response, the old resentments, pain and anger that she has repressed begin to resurface.
— Ashley ClarkRead More »

Quote:
This movie is black satire of Japanese imperial ambitions in the 20th century. In Meiji era Japan (1868-1910), the Japanese state sought to establish itself as an empire as a way to both catch up to and remain free from the West. These activities also lay the foundation for the disasters to come mid-century. This movie satirizes those efforts from a mid-1980s perspective, giving it an obvious subtext of being a commentary on the efforts of late 20th century Japanese businessmen abroad as well. The “hero” is a businessman who, realizing that the Japanese armed forces will likely soon be advancing across Asia, decides that they will require brothels wherever they go as well and so sets up shop in Southeast Asia. A very black comedy from one of Japan’s finest film satirists (cf. “Pigs and Battleships,” “The Pornographers”) best known abroad ca. 1999 for “The Eel” and “Black Rain” (the film based on the novel about Hiroshima, not the Michael Douglas flick).Read More »

Synopsis:
Through a complex and gripping exploration of a woman’s troubled psyche, director Frieda Liappa has created a suspenseful drama and intriguing look into relationships and their meaning. Martha (Eleonora Stathopoulou) is unhappy with her life as it is at the moment, and among other issues, she has decided to give up her writing career. Along with that decision comes a need to get away from her husband and from her psychiatrist, with whom she has had more than just a doctor-patient relationship. As Martha travels through a deserted city landscape in a storm, the external world reflects something of her inner turmoil. Flashbacks are interspersed throughout the film to enhance the suspense of Martha’s inner and outer journey.Read More »

“Before Michael Mann set the big screen alight with the brilliant, epic Heat, he rehearsed the story in this made-for-TV version. Heat was a tour de force, with the scuzzy, spacey metropolis of LA as backdrop to a titanic battle between charismatic cop (Pacino) and taciturn tough guy robber (Pacino. This dynamic is hardly replicated in this earlier TV version – and if LA Takedown shows anything, it’s that a compelling story and talented director really do require stellar talent to generate the requisite screen effect. Intended as the pilot for a TV series, this tough and energetic story went straight to video in the UK, but achieved minor cult status, and is well worth watching for the differences to the remake, as well as the similarities. The central cop character Vincent Hanna (Plank) is retained, and the emphasis is on him as he pursues the bank robber. What is lacking is the density of characterisation and the myriad subplots. Still, it would be unfair to dismiss the film. Judged as a TV movie, it has merit, it’s just that the other elements are more modest.” – Channel4Read More »

Quote:
Marisa, a 38 years old woman, tells a strange story to her daughter while they’re walking through a level crossing in Madrid. An anthropologist, Jaime, is chased by a mysterious jeep. In the course of the chase, he takes shelter in a small motel. When he settles down, he keeps writing in his personal diary, reflecting his impressions about his work in it.Read More »

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A treatise on love and desire tainted by harsh reality of capitalism, in which submission to the laws of lust-as-commerce is played out by five prostitutes and their pimp, who pits them against one another so that they are incapable of standing up to him collectively.Read More »

Synopsis
Documentary-fiction about the director and his family’s holiday in his homeland. The journey is a means to confront the past, memories, one’s own origins, but it is also the radiography of an era.
A semi-unknown masterpiece by Marco BellocchioRead More »

Mask is a 1985 American biographical drama film directed by Peter Bogdanovich, starring Cher, Sam Elliott, and Eric Stoltz with supporting roles played by Dennis Burkley, Laura Dern, Estelle Getty, and Richard Dysart. Cher received the 1985 Cannes Film Festival award for Best Actress.[2] The film is based on the life and early death of Roy L. “Rocky” Dennis, a boy who had craniodiaphyseal dysplasia, an extremely rare disorder known commonly as lionitis due to the disfiguring cranial enlargements that it causes.

Mask won the Academy Award for Best Makeup at the 58th ceremony, while Cher and Stoltz received Golden Globe Award nominations for their performances.

Michael Westmore and Zoltan Elek won the Academy Award for Best Makeup and Hairstyling in the 58th Academy Awards.

The film is recognized by American Film Institute in the 2006 list for AFI’s 100 Years…100 Cheers

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Synopsis
A movie about making a movie. A young, idealistic director arrives in a village to make a picture set during the Great Bengal Famine. It’s a film that he hopes will reveal the problems and privations still current in rural India.

Awards:
National Award 1981 – Golden Lotus (Best Film)
Berlin Film Festival 1981 – Silver Bear.Read More »