

Resolving the riddle of the Sphinx makes Oedipus the king of Thebes, but he also resolves another mystery – and it destroys him.Read More »


Resolving the riddle of the Sphinx makes Oedipus the king of Thebes, but he also resolves another mystery – and it destroys him.Read More »


he Japanese remake of Robert Enrico’s french film The Last Adventure, where Alain Delon & Lino Ventura have respectively exchanged their place with Ken Takakura & Shintaro Katsu… This version also stars Meiko Kaji (Lady Snowblood) and Noboru Ando (many yakuza films).
The Homeless follows the story of two prisoners released the same day, who meets again at the brothel where they help a prostitute to escape from yakuza. And together, they go treasure hunting.Read More »


From allmovie.com:
Maverick director Floyd Mutrux made his feature debut with this offbeat semi-documentary look at the realities of the Los Angeles drug scene. Mutrux and his camera crew follow a handful of real-life heroin addicts as they go through their daily routines of scoring dope and whiling away the hours until their next fix. (The dealers are played by actors, among them William Fraker, a noted cinematographer who helped shoot the film, and Billy Gray, a former child star from Father Knows Best.) Dusty and Sweets are a thirty-something couple whose often strained relationship is held together by their shared dependence on heroin. Kit is a blasé male hustler who turns tricks to support his habit. Read More »


This TV sequel to “The Savage Bees” features more rampaging insects. This time a marching band and a school bus get in the path of the bees.Read More »


Masayuki and Sachie had little to lose when they first met each other. They were young. Their lives unscripted. It did not take long for Masayuki to quit his job and for the two to move in together. In a neighborhood where the red paper lanterns lit up the alleyways at nightfall, they keep each other warm. Love takes its toll when they find that Sachie is pregnant.Read More »


Stanley, Harry, Sheila and Beth have just finished their first year at Harrad College and have a special bond together. Harrad College isn’t an ordinary school. The school conducts an experiment where students from different sex are put together in one room. Sexual freedom is encouraged. Now the summer break has arrived, the four have decided to spend the holidays together. They will visit an old friend of Beth and after that spend two weeks at the families of Stanley, Harry and Sheila. They have to fight against bias however. Not everyone is fond of Harrad College and some see it as only an easy way for the students to fulfill their feelings of lust. Will the relationships and beliefs of the four students hold up under the constant pressure?Read More »


Quote:
One of the most controversial productions by the late German writer-director Rainer Werner Fassbinder was his stage play The Garbage, the City and Death; when he sought to film the play in Germany, Fassbinder was denied state funds on the basis of a charge of anti-Semitic content. Swiss filmmaker Daniel Schmid, a film-school colleague and longtime friend of Fassbinder’s, undertook the project in 1976, employing Fassbinder’s now-familiar repertory company including Fassbinder and his then-wife Ingrid Caven. Set amid the Frankfurt lowlife–prostitutes, pimps, sadistic police and perverted businessmen–the story concerns a streetwalker (Caven) who is reportedly too chic for her own good and can’t make a go of it among her only available clientele. She is brutalized by her pimp (portrayed by a very slim Fassbinder), who continues to send her out on the streets while he indulges his preference for men. Luck comes her way in the form of a Jewish businessman (Klaus Lowitsch); he hires her only to listen to him talk and, occasionally, pose as his bride in the murky nocturnal street scene.Read More »


Quote:
The concluding part of Pier Paolo Pasolini’s “Trilogy Of Life”, following The Decameron and The Canterbury Tales, Arabian Nights corrects many of the mistakes found in the latter, noticeably its ramshackle, uneven approach, and returns to the charming territory of the former. Indeed, the film is as good as The Decameron, if not better, and is generally considered to be the trilogies crowning moment and one of Pasolini’s finest films (critic Tony Rayns recently included it amongst his choices for Sight and Sound’s 2002 Top Ten Critics’ Poll).Read More »


Super Robot Mach Baron is the 1974 sequel TV series to Super Robot Red Baron and this sequel to the Red Baron.Read More »