Eduardo travels on business to a province, accompanied by his lover. Returning (without the lover and a large sum of money), he suffers an accident and is assisted by four farmers who ask him in return to take them to the city. During the trip, everyone gets increasingly paranoid.Read More »
Synopsis: German ornithologist rents old Villa, in which supposedly has many years no one lived. Walking around the neighborhood, he finds a crumpled foil. Purging them and after listening, he learns the terrible story of this house and its previous inhabitants. Now Professor, unwittingly becomes involved in the terrible events that resulted in a bloody denouement…Read More »
Quote: World War II is coming to an end, large German forces are retreating and they are in desperate need of fuel. The German command is planning a complex operation to provide them with the supplies they need to retreat. The mysterious Sarajevo illegal Valter will stand in their way.Read More »
Ocho gets abducted by a yakuza clan that uses a gang of women to smuggle drugs in their vaginas. Finding out that the kingpin had killed the last boss and abducted his daughter, Ocho joins forces with the drug mules against the clan.Read More »
Mainly the story of Shinsuke and his stepmother, ranging from Shinsuke’s infanthood to his mid-teens. Coal workers and the mines dominate nearly every aspect of the life of the characters. Shinsuke’s father dies while bravely using dynamite to rescue a group of trapped Korean miners. Several older men attempt to help he and his mother cope, including a kind Korean and a Harley-riding yakuza. —SharptongueRead More »
The three films directed by Valerio Zurlini at Titanus—Violent Summer, Girl with a Suitcase and Family Diary—were products of a fruitful collaboration interrupted by Titanus’ financial crisis of the mid-1960s. The Professor marked the reunion of director and studio after a decade in which Zurlini was only able to make two films. Here he returns to his trademark style: sober melodrama involving complex characters. The focus is on the title figure, a teacher—played by Alain Delon—who arrives for a temporary position in Rimini in the midst of a midlife crisis. Unable to face his depressive mistress, he spends his nights drinking and gambling as a mutual attraction develops between him and one of his students.Read More »
A structuralist self-portrait which documents Mangolte in the act of taking still photographs from the perspective of her camera’s viewfinder. An absorbing and conceptually dazzling rumination on the concept of “point of view,” as well as the complex relationships between photographer and subject, between the still and moving image.Read More »
In his earliest work, German director Werner Schroeter was inspired by opera, and made several short 8mm films about the prima donna Maria Callas. This film focuses on Maria Malibran, a legendary Spanish-French opera singer who died in 1836 at the age of 28. She forms the starting point for a series of stylised tableaux introducing variations on different levels, including in the form of musical phrases. The spectator is thrown into fragments of stories that take place in a non-existent country, in which the characters do not have any clear identity and are mutually interchangeable. The film, a reflection on the 19th century cult for geniuses and divas, was regarded by Schroeter, who died last year, as his most important work. It focuses on acting, including that of Magdalena Montezuma (regular Schroeter actress), Candy Darling (from the Warhol stable) and Ingrid Caven.
Werner Schroeter mixes Stravinsky, Beethoven, Brahms, Maria Callas and Janis Joplin in this delirious biography of the doomed nineteenth-century mezzo-soprano.Read More »