1970s

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A humorously distorted version of the life of Shirley Temple, and described by its director as a terrorist musical. Shirley Temple sets off for the Emerald City to tell the Wizard that she is upset that Judy Garland has been selected for the role of Dorothy in The Wizard of Oz. On this trip she is accompanied by a group of characters who make reference to a fragmented, bipolar society. The film was begun as Franco was ill and completed after his death, and makes reference to the oppression of Spain during this period.Read More »

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Growing Up Female is the very first film of the modern women’s movement. Produced in 1971, it caused controversy and exhilaration. It was widely used by consciousness-raising groups to generate interest and help explain feminism to a skeptical society. The film looks at female socialization through a personal look into the lives of six women, age 4 to 35, and the forces that shape them–teachers, counselors, advertising, music and the institution of marriage. It offers us a chance to see how much has changed–and how much remains the same.Read More »

Rick Lemming (Rijk de Goyer) lives in the heart of Amsterdam, where he holds a dovecote and a saloon with slot machines. His best friend Ed Svaan, the champion of karate in the Netherlands, is deeply in love with singer Lily (Sylvia Christelle). With the help of Ed, Lilly concludes a contract with a television director who assures everyone that he will make a high-profile film. Rijk wants to check where his boyfriend and girlfriend are being drawn in and secretly watches the shootings. In fact, a pornographic film is being shot.Read More »

This scathing black comedy from Cuban satirist Tomás Gutiérrez Alea is a dish that’s bitter to taste and hard to stomach. It’s an intricate and uncompromising fable that alarmingly boasts an authentic historical model.

In the 18th century, the wealthy owner of a sprawling Havana sugar plantation gives in to a misguided whim. As Holy Week approaches, he decides to host his own Last Supper, appointing himself as Christ and a dozen downtrodden slaves as the apostles. Held on Maundy Thursday, his re-enactment is a precarious proposition from the outset. At first, it offers Alea ample opportunity for comedy, as the pompous master cleans and flinchingly kisses the feet of the bemused slaves before taking to the table.Read More »

After the death of his father, Piedad directs her family life by virtue of tradition and moral values in a small town in the provinces.Read More »

Det Danske Filminstitut wrote:
Per Kirkeby og Jørgen Leth om filmen: “Det skal være en smuk film, som helt reelt skildrer naturen, og som også udnytter associationer, der er knyttet til Dyrehaven som begreb. Skelettet er årstidernes skiften, skildret i billeder. Med “billeder” menes enkelte billeder uden anden indbyrdes kontinuitet end den, som selve rammen, årstidernes skiften, giver. Ind i dette skelet bygger vi rent romantiske billeder som et associationsfelt, der ligesom rummer den historiske side af Dyrehaven. Dyrehaven er jo ikke en hvilkensomhelst skov, men en skov, som optager en stor plads i landets kunstneriske bevidsthed.”Read More »

Description
‘De komst van Joachim Stiller’ (= Dutch for ‘the coming of Joachim Stiller’) is a novel by the Flemish author Hubert Lampo from 1961.

‘Magical realism’ is this novel’s keyword, a style of writing Lampo excelled in. It deals with the intrusion of the unexplainable into common, everyday’s life. Setting up an atmosphere of tension and uneasiness as a consequence.
In 1976 Flemish producer Harry Kümel transferred ‘De komst van Joachim Stiller’ into a TV-series. Making them an instant hit in the low countries back then. A few decades later the Royal Belgian Film Institute incorporated Kümel’s work in a DVD-series about great Belgian films: it is the very DVD this site is about.Read More »

A truly major work, I Don’t Know observes the relationship between a lesbian and a transgender man who prefers to identify somewhere in between male and female, in an expression of personal ambiguity suggested by the film’s title. This nonfiction film—an unusual, partly staged work of semi-verité—is the first of director Spheeris’ films to fully embrace what would become her characteristic documentary style: probing, intimate,
uncompromising and deeply meaningful. (Mark Toscano)

Preserved by the Academy Film ArchiveRead More »

Camille, a young, provincial, proletarian man works for Hélène Courtray, who is still beautiful and seductive. She’s a sophisticated, cultivated and well-to-do woman who has engaged him to care for her reclusive son who has spent the past few years voluntarily locked up in his room. An encounter between two persons and two worlds where the relationship of the young man to this closed, strange and unknown universe rapidly turns tradegy.Read More »