1970s

A high-speed drive through the streets of Paris.Read More »

A young addict must kill the wife of a dangerous drug dealer or face certain death. As he uncovers surprising truths about her past, will he follow the plan, or will conflicting emotions drive him to a breaking point?Read More »

As with LIPSTICK ON YOUR COLLAR, the later re-working of this play, most of the action is set within the 1956 War Office in the midst of the Cold War and just prior to and contemporaneous with the Suez Crisis. Private Robert Hawk is the newly-arrived Russian language clerk. He is the son of a Yorkshire coalminer and a graduate of grammar school and of Oxford. He is doing his two years of national service. His job at the War Office is to assist the MI3 section in the translation of intercepted Russian documents on troop movements. Hawk is caught between his own working class roots and the upper middle class values and behaviours of the officers he works with. They mock him for his background, his immaturity and his intellectualism. He is also caught between his almost adolescent romantic idealisation of women as he sees them portrayed, for example, in his visit to the theatre to see Chekhov’s The Seagull and his equally adolescent sexual drives which lead him to consort with a prostitute for sexual release. He survives all this by inventing personalities for himself so that, in a pub and surrounded by football fanatics, he asserts his status by pretending to be (and convincing the fans that he actually is) the Russian national team goalkeeper. His deception fails when an old friend, Pete, comes into the pub and inadvertently unmasks him. To impress Pete that he holds an important position at the War Office, Hawk sets out to obtain a classified document but Pete fails to arrive at the rendezvous and the document is discarded.Read More »

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Jitsuroku is usually translated as “true story,” which in the yakuza movies of the seventies meant not so much historical accuracy as it did fights and blood of a new kind. The most famous of the jitsuroku yakuza movies are Kinji Fukasaku’s 5-part Battles Without Honor or Humanity, whose title neatly summarizes the change. The sixties yakuza movie had shown plenty of fights and, as effects gradually improved, increasing gore and blood spatters, but the core of the story was almost always a point of honor within the Yakuza Code and a hero with a sense of human feeling and responsibility. In the seventies, The Code disappeared along with the humane hero and we were offered only the battles and the blood.Read More »

In this 1980 documentary, originally in three parts but presented here in its entirety, Vittorio De Seta presents the drama of the Vietnamese refugees who arrived in the great Asian metropolis.Read More »

Pousse-Pousse loves Rose and wants to marry her. But the custom wants that to marry a girl one has to pay a dowry to her parents. Pousse-Pousse is not very happy with that, since he’s also aiming at acquiring motor-cart to improve his job…Read More »

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Based on a true story, this film focuses on three Polish labourers of vastly different social, cultural, and ethnic backgrounds. Unlike many of their recalcitrant contemporaries, the three men overcome their differences and work together. Eventually they create a textile factory founded upon the edicts of equality, trust, and respect.Read More »

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Brewster McCloud (Bud Cort) lives deep within the cavernous underground of the Houston Astrodome, but his dreams rise much higher. He aims to fly. Not in a plane. But with strapped-on wings he’s designing – encouraged by a mysterious woman (Sally Kellerman) who may be his guardian angel. But Brewster McCloud, Robert Altman’s wild, anarchic cult fave, isn’t about dreams as much as it is about the highs and lows of humanity. It’s a serial-killer mystery. A frenetic car-chase flick. A crazy circus-finale comedy. Shelley Duvall debuts as the tour guide whose seduction of Brewster may lead to his undoing. Ah, love. The thing that at once shapes and unravels us. The thing that may or may not give us wings.Read More »

In early 2023, a Madrid film archivist made a startling discovery: the uncut camera negative of COUNT DRACULA, in pristine condition and untouched for over 50 years. This gothic masterpiece from writer/director Jess Franco can now be experienced like never before, from its brilliant performances by Christopher Lee as the Count, Herbert Lom as Van Helsing, Soledad Miranda as Lucy, Maria Rohm as Mina and Klaus Kinski as Renfield to its sumptuously unnerving cinematography and eerie Bruno Nicolai score.Read More »