1970s

Quote:
Maria is in her mid-20s and lives with her father, a widowed small greengrocer, in Haidhausen. Her friend Bärbel is madly in love with the charming Italian Pietro. His father is a vegetable wholesaler at the Munich wholesale market. Except Maria, who can’t stand him at first, all the girls are interested in the heartbreaker. When Pietro leaves Bärbel, Maria decides to take revenge on him. She makes him fall in love with her, which also makes her friend Franz, a Bundeswehr soldier, very jealous.Read More »

Quote:
A film about the time of the blast furnances – 1917-1933 – about the development of an industry, about a perfect machinery which had to run itself to the point of its own destruction.

The essay from the Berlin filmmaker, Harun Farocki, on heavy industry and the gas of the blast furnace, convinces through the author’s cool abstraction and manic obsession and through the utilization of a single example of the self-destructive character of capitalistic production: “The image of the blust furnace gas is real and metaphoric; an energy blows away uselessly into the air. Guided through a system of pipes, the pressure increases. Hence, a valve is needed. That valve is the production of war material.”Read More »

Synopsis:
‘This Spanish/Italian melodrama concerns the rivalry between a mother and her daughter for the affections of a rakish drifter. The mother has known his affection before, but on this particular journey through their town, he is drawn to the girl instead. He takes her to his favorite assignation place, a nearby whorehouse, and they begin to see one another regularly, until one day the mother takes her place. The girl’s response to this is somewhat drastic.’
– Clarke FountainRead More »

A Parisian experimenter with Lumiere’s Kinematograph (Charles Denner) dies in WW1, and his son (Charles Denner) grows to be a man who barely survives WW2 in a concentration camp. He marries another refugee (Marthe Keller) who dies in childbirth, leaving him a daugher, Sarah, who at age 16 (Marthe Keller) is a spoiled debutante hopelessly in love with pop singer Gilbert Bécaud (Gilbert Bécaud) she goes through the 60s trying every fad while her father wishes she’d settle down. Meanwhile, sneak thief Simon Duroc (André Dussollier) winds up in prison, where he slowly turns his devious energies to their least-antisocial use: filmmaking.Read More »

From Channel4.com:
Rossellini’s indelible career flagged in the late 1950s for a variety of complicated reasons, and after directing commercial films and an episode in Rogopag (1962) he abandoned cinema for television. Twelve years later and near the end of his life he returned to movie-making with this film. It’s a biopic of the postwar Christian Democrat leader, Alcide De Gaspari (Vannucchi), who was responsible for keeping the Communists out of power in the years that followed the fall of fascism. An extension of Rossellini’s documentary and historical reconstruction films, this failed both critically and commercially.Read More »

Synopsis:
Based on the best-selling manga series, the six intensely kinetic Lone Wolf and Cub films elevated chanbara to bloody new heights. The shogun’s executioner, Itto Ogami (Tomisaburo Wakayama), takes to wandering the countryside as an assassin—along with his infant son Daigoro (Akihiro Tomikawa) and a seemingly infinitely weaponized perambulator—helping those he encounters while seeking vengeance for his murdered wife. Delivering stylish thrills and a body count that defies belief, Lone Wolf and Cub is beloved for its brilliantly choreographed action sequences as well as its tender depiction of the bonds between a parent and a child.Read More »

Synopsis:
Based on the best-selling manga series, the six intensely kinetic Lone Wolf and Cub films elevated chanbara to bloody new heights. The shogun’s executioner, Itto Ogami (Tomisaburo Wakayama), takes to wandering the countryside as an assassin—along with his infant son Daigoro (Akihiro Tomikawa) and a seemingly infinitely weaponized perambulator—helping those he encounters while seeking vengeance for his murdered wife. Delivering stylish thrills and a body count that defies belief, Lone Wolf and Cub is beloved for its brilliantly choreographed action sequences as well as its tender depiction of the bonds between a parent and a child.Read More »

Synopsis:
Based on the best-selling manga series, the six intensely kinetic Lone Wolf and Cub films elevated chanbara to bloody new heights. The shogun’s executioner, Itto Ogami (Tomisaburo Wakayama), takes to wandering the countryside as an assassin—along with his infant son Daigoro (Akihiro Tomikawa) and a seemingly infinitely weaponized perambulator—helping those he encounters while seeking vengeance for his murdered wife. Delivering stylish thrills and a body count that defies belief, Lone Wolf and Cub is beloved for its brilliantly choreographed action sequences as well as its tender depiction of the bonds between a parent and a child.Read More »

Synopsis:
Based on the best-selling manga series, the six intensely kinetic Lone Wolf and Cub films elevated chanbara to bloody new heights. The shogun’s executioner, Itto Ogami (Tomisaburo Wakayama), takes to wandering the countryside as an assassin—along with his infant son Daigoro (Akihiro Tomikawa) and a seemingly infinitely weaponized perambulator—helping those he encounters while seeking vengeance for his murdered wife. Delivering stylish thrills and a body count that defies belief, Lone Wolf and Cub is beloved for its brilliantly choreographed action sequences as well as its tender depiction of the bonds between a parent and a child.Read More »