(auto-translated: ) An attempt to present, played by an actor, the mental universe of a schizophrenic, i.e. a patient whose inner life is supposed to be unable to distinguish between the dream world and reality. Description of the particularly rich oniric production of the subject (associative images, visual reminiscences, feelings of influence, strangeness) and its dramatic outcome.Read More »
A dutiful grand-daughter goes home to take care of her elderly grandmother. Once there, she finds herself trapped inside the house with a homicidal maniac.Read More »
During World War II, an intelligence officer is dispatched by the U.S. government to arrange an exchange in Argentina of industrial diamonds needed by the Germans for a secret gyroscope needed by the Allies.
One of four miniseries comprising NBC’s Best Sellers anthology, The Rhinemann Exchange was adapted from the Robert Ludlum novel of the same name. Stephen Collins stars as American intelligence officer David Spaulding, who under cover of his musician father’s concert tours embarks upon a number of fact-finding missions in Europe just before WW2.Read More »
Clare Kitson in “Yuri Norstein and Tale of Tales: An Animator’s Journey” wrote:
Norstein’s workbook’ [трудовая книжка] (something like a car’s service book, recording developments throughout one’s working life) shows his promotions (and hence pay-rises) progressing at a snail’s pace. Yet in 1972, while still officially a humble ‘animator category 1’, he was commissioned to make his first fully independant film as director. By this time, the unwilling animator had had something of a change of heart and was now passionately aspiring to direct animation – partly out of frustration with some of the bad projects he had beeRead More »
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Sometimes, when life is getting too much for you with lots of stupid dramas, there’s only one thing that will really cheer you up. And that’s a really classic trashy movie. If said movie happens to star Joan Collins, even better. The Stud is a movie tailor-made for these situations.
Oliver Tobias is the stud of the title, Tony Blake. He was a waiter, a poor working-class kid with big ambitions, a pretty face and a hot body. He attracted the attention of the fabulously wealthy Fontaine Khaled (Joan Collins), or rather his hot body attracted her attention. So she set him up as manager of a night-club, although his main duties are to satisfy her sexual appetites. He’s constantly on call in case she has a sexual emergency that requires immediate servicing. And this happens to Fontaine quite frequently.Read More »
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In THE BETRUCTION OF THE BLUE SAILORS, Tabea Blumenschein “plays four different roles in changing appearances and in fantastic costumes that structure the film: a mythical figure that permeates the film on desert sand with siren song; a bird that is killed; a Hawaiian girl and a Sailors. While the siren, accompanied by Asian music, strides along the desert, sailors and birds become the victims of perverted naturalness in the form of the wild Hawaiian girl.” (Claudia Hoff) In the collage principle, areas and quotations from commercialized everyday life and the music, which ranges from noises, sacred gongs, Hawaiian music, Schuricke melodies, musette waltzes to Burmese songs and cultic Ketchak rhythms, and the language – literary texts by Apollinaire, which already use the quotation method, phrases from the world of American show business (Hollywood veteran star), lamentations of a Russian silent film mother […], come satire, the grotesque, the caricature, the clown and the doll up; and it is the deep meaning of these forms of expression, through the demonstration of the marionette-ness, the mechanization of life, through the apparent and real torpor, to let us imagine a different life. (Raoul Hausman). (From the conversation between Ulrike Ottinger/ Tabea Blumenschein and Hanne Bergius)Read More »
A hippie girl wandering on a California beach is taken in by a Korean War veteran who lives in a nearby mansion with his sister. The girl soon begins to suspect that the mansion is home to some very strange goings-on….Read More »
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A performer faces a seated audience. Behind the performer, covering the back wall (parallel to the frontal view of the seated audience), is a mirror reflecting the audience.Read More »
Film version of Melvin Van Peebles’ Broadway musical. A pair of devil-bats take human form and crash a Harlem house party in an attempt to break it up. But somehow, their attempts to ruin the party fail.Read More »