Quote: This is the second part of Stefans Jarl’s Mods trilogy. The films depict the story of Kenta and Stoffe, but at the same time tells the story of Swedish society between the years 1968 and 1993. In A Respectable Life, we return to Kenta and Stoffe eleven years later. Both have created a family. Kenta has done his best and now has a more stable life. Stoffe, however dies during recording, after an overdose of heroin.Read More »
The Swissmakers is a Swiss 1978 comedy film directed by Rolf Lyssy. The movie deals with the many woes of foreigners who decide to obtain Swiss nationality but are forced to deal with bureaucratic and cultural barriers.
Die Schweizermacher remains one of the most successful Swiss movies, reaching 940,145 admissions in a country of 6.5 million inhabitants. It was also the highest grossing movie in Switzerland until it was overtaken by Titanic in 1997.Read More »
Helen, who has been incapable of speech since seeing her husband die, becomes the target of a deranged serial killer targeting disabled people.
Starring: Jacqueline Bisset, Christopher Plummer, John Phillip Law, Sam Wanamaker, Mildred Dunnock, Gayle Hunnicutt, Elaine Stritch & Christopher MalcolmRead More »
Synopsis A film autobiography of Mao Tse-tung, leader of China from 1947 through until his death in 1976, drawn exclusively from his own writings, diaries, speeches and personal notes. Incorporates footage never before seen outside of China.
A film-détournement biography of Mao Tse-tung in which the life of the recently deceased Great Helmsman is told in his own words, using quotes culled from various Red Guard publications. The rise to power of the film’s namesake appears as the inevitable outcome of a dialectical logical. Or so the voice-over might lead one to believe. If the usual practice of détourned films is for the soundtrack to undermine the image, here the reverse occasionally takes place. The images critique Mao’s words. They show that which, even in the official visual record of the times, the narrative elides. The film is dedicated to Li Yhi Zhe, the nominal author of a famous Democracy Wall critique of the Maoist state.Read More »
A rancher hires two ne’er-do-well cowboys to hunt coyotes. When the pair is joined by a runaway bride, they find themselves under pursuit by an assortment of bad guys.Read More »
Andrius and Liuka, offsprings of Šatai and Kaminskai families living in a countryside, falls in love with each other, however their love is disrupted by… a cow.
This is a lyrical tragicomedy about memories of childhood, adolescence, and first love in a small provincial town, shown through complexity of human relations at this periodical film.Read More »
This is a brilliant short documentary made by the infamous Peter Greenaway for Thames Television program “Take 6” in 1980. For this project, Greenaway tackles the task of interviewing British subjects that have been struck by lightning…and survived to talk about it. The documentary displays Greenaways signature touches, such as the element of Dark Comedy (Greenaways editing, the Monty Pythonesque narrator, the witty writing, that transitory music, and the nature of their stories in general) and, of course, his trademark attention to detail regarding mise-en-scene and framing. First Greenaway gets his subjects to reflect upon their experiences. He also interviews friends, family, doctors and other witnesses whom fill in the blanks where the strikee may have been unable to remember or recollect.Read More »
“Man or monster? That’s one of the most frequent questions film-makers dealing with the rise of Hitler have had to ask themselves. Humanise him and you risk serving up a trite explanation for the horrors he committed against the world. Treating him like the Devil risks transforming him into a symbol that undermines mankind’s sickening capacity for evil. When the documentary Swastika was first screened at the Cannes film festival in 1973 it caused such outrage that the screening had to be stopped. The reason? It was made up of archive footage of Hitler engaging in banal, normal, everyday activities such as playing with children on a holiday retreat – footage that showed a human side difficult to reconcile with his unspeakable crimes.”Read More »
Former Playboy model Gail Palmer granted her “real world credibility” to the adult industry by producing and on occasion allegedly directing (as in the case of the CANDY movies with Carol Connors) several high profile, big budget porn epics as the swinging ’70s gave way to the egotistical ’80s. Many of these were made – regardless of what the credits sometimes claimed – by veteran filmmaker Bob Chinn, who had put the formidable John C. Holmes through his paces in the long-running JOHNNY WADD series, showing the ropes to an up ‘n’ coming acolyte named Jeffrey Fairbanks. The latter would of course go on to helm his own line of instant classics away from his mentors including American PIE, EXPOSED and the vastly underrated WILD DALLAS HONEY. Read More »