1970s

Documentary on mainland Chinese life.Read More »

This lighthearted romp through Royal India presents a world of Maharajas, palaces, imperiled art objects, and the foreign collectors who will stop at nothing to possess them. Peggy Ashcroft and Larry Pine star as two rapacious art collectors who come to the decaying Art Deco palace of a young Maharaja (Victor Banerjee) to examine a legendary collection of Indian miniature paintings. While vying with each other to get the pictures away from the royal couple—nicknamed Georgie and Bonnie as children by their Scottish governess—they must also divine the true motives of the Indian curator of the collection (Saeed Jaffrey), who, in league with the Maharaja’s beautiful sister (Aparna Sen), may be working against them. Amidst the backdrop of lavish tourist entertainments, Christmas parties, fireworks, and even an English ghost, a desperate game of palace intrigue will determine the ultimate resting place of the priceless paintings.Read More »

Film narrated about the first love of Muradi Rasulov, ninth-former and a passionate football fan. He’s in love with a girl two years older than him.

This seemingly insignificant circumstance together with the girl’s family tradition became a serious but brief obstacle for newly-weds.

The director’s cut of the film released in 1988.Read More »

Helen and her associates stage a confession play in order to remedy stuttering, but things go amiss.Read More »

“Zorn’s Lemma stands for – Every non-empty partially ordered set in which every chain (i.e. totally ordered subset) has an upper bound contains at least one maximal element.

It is named after the mathematician Max Zorn.

The terms are defined as follows. Suppose (P,≤) is the partially ordered set. A subset T is totally ordered if for any s, t ∈ T we have either s ≤ t or t ≤ s. Such a set T has an upper bound u ∈ P if t ≤ u for all t ∈ T. Note that u is an element of P but need not be an element of T. A maximal element of P is an element m ∈ P such that the only element x ∈ P with m ≥ x is x = m itself.Read More »

THE BIG BIRD CAGE/ FACTS Director Jack Hill followed up his genre-defining women-in-prison film THE BIG DOLL HOUSE with this action-packed sequel, also starring Pam Grier and set in the Philippines. Grier plays Blossom, the machine gun-toting girlfriend of revolutionary leader Django (Sid Haig). His fellow revolutionaries want girlfriends too, so Django and Blossom make plans to liberate the nearby women’s prison, a grueling sugar mill work camp run by the high-strung Warden Zappa (Andy Centera). Slender babe Anitra Ford co-stars as Torry, a free-spirited nymphomaniac whose bedding of important political figures has landed her in the prison, and who together with Blossom makes plans for the big, explosion-packed breakout. Grier and Ford are both dynamite with their bad attitudes and skimpy prison attire, and there’s plenty of catfights–both in and out of the mud, and showers. Aside from some dated gay-stereotype humor involving the male guards of the camp, this is still pretty rock-solid entertainment, replete with suspense, sex, bloodsoaked veangance, and captivating outdoor cinematography by Phillip Sandalan. Hill and Grier would follow up this success with the blaxploitation classic COFFY the following year. *Cast* Pam Grier , Anitra Ford , Sid Haig , Vic Diaz , Carol Speed , Andy CenteneraRead More »

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“FOREGROUNDS, like SAUGUS SERIES, is devoted almost entirely to carefully constructed spatial ambiguities. The most visceral of these prints a rotating boulder, occupying half of the screen, over a slow lateral pan across the desert (painted by Neon Park). A faint superimposition of leaves on top of the landscape has the effect of pushing its vista farther back in space. Correspondingly, the boulder bulges out of the picture-plane like a Cezanne apple. The effect is so strong that even when O’Neill begins to animate ‘scratches’ over the image, one’s eye refuses to surrender the illusion of volume.” – J. Hoberman, The Village VoiceRead More »

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Though his later films took full advantage of Nikkatsu’s lenient policies by experimenting with cinematic time and space in an almost surreal manner, his first Roman porno, Wet Lips (Nureta Kuchibiru) (1972), was fairly simplistic. However, this story of a prostitute and her lover on the run after killing her pimp proved to be a major critical and box-office success, and established Kumashiro’s directorial career. Wet Lips was also the first of Kumashiro’s many films to use the word “Wet” (nureta) in the title.Read More »

Frederick sees a photograph of a ruined seaside castle, which triggers a strange childhood memory. He then goes on a strange quest, aided by four female vampires, to find the castle and the beautiful woman who lives there.Read More »