1960s

A shepherd falls in love with an English tourist in Greece (imdb)Read More »

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Some people with a strange cat arrive in a small village. The cat wears glasses, and when someone takes them off, she can colour people, according to their nature and mood. The grown-ups of the village consider the cat to be dangerous, but the kids just love her…Read More »

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One of Hani’s recurring themes was the status of women in modern society. His first attempt at the subject was this Antonioniesque melodrama set in a sterile high rise complex. A woman resident becomes discontent with the empty life she and her husband are leading. They encounter a street beggar who lives in poverty with his dog and a blind orphan. The woman becomes fascinated by the beggar’s world and pursues a friendship which leads to terrible discord and a tragedy.Read More »

“Charlotte et son Jules was made the year before Breathless and in many ways prefigures the arrival of that major film. Shot entirely in or from a single hotel room, it centres on Jules, played by Jean-Paul Belmondo who delivers a rapid-fire tirade about his girlfriend and their relationship when she turns up back in the apartment. The poverty of the production is indicated by the fact that the voice of the Belmondo character is that of Godard himself. But its machine gun dialogue and restless jump-cutting camera is almost an advance preview of the long sort of love scene between Michel and Patricia in Patricia’s tiny apartment in Breathless.”Read More »

Mordecai Jones is a rural con artist (a ‘flim-flam man’) who takes on a young army deserter; Curley as his protege, and teaches him the tricks of the trade. Sheriff Slade is in hot pursuit of the pair, and rich girl Bonnie Lee Packard becomes romantically involved with Curley, and helps the fleeing duo stay one step ahead of the sheriff.Read More »

Die blaue Hand is a pretty wild movie on its own terms. It crams a lot of bizarre digressions into a mere 74 minutes, not counting some stuff reportedly inserted after the fact by an American distributor. You get a room full of hanging mannequins, a butler who reveals himself as the disgruntled ex-husband of the Emerson materfamilias, and a second inspection of the insane stripper, on top of everything I’ve already mentioned. If Kinski recedes during the story, Karl Lange emerges as an awesome looking villain in the Germanic Caligari tradition of evil asylum keepers, while Diana Koerner makes Myra an appealing heroine. Visually, even in something well short of restored form, Hand looks great in moody, Bava-influenced color, and the admitted datedness of the music is a point in the film’s favor as far as I’m concerned.Read More »

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A doctor uses special eye drops to give himself x-ray vision, but the new power has disastrous consequences.Read More »

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The medium-length film No compteu amb els dits, Pere Portabella’s first work as a director, starts with the following phrase: “defeated…but not conquered”. This may or should be taken as an allusion to the technical K.O. taken by Portabella from Franco’s regime during the sixties as regards his work as a producer. Through the extremely raging playthings of the words of Catalan poet Joan Brossa, Portabella attempts to dismantle the forms of advertising discourse of that time. —pereportabella.comRead More »

From IMDB:
Marquinhos is in his early 20s and lives in Copacabana with his petits bourgeois parents and older brother. He doesn’t have a job, he doesn’t go to school, he just lives on the spur of the moment, watches TV, plays soccer on the beach by day and goes out with his mates by night. He meets Irene, a 40 year-old woman and they have a love affair that is going to change his life – for a while.Read More »