1960s

Positano is an island of the Amalfi Coast that Neptune would have, according to legend, created for the love of a nymph. And it is of love that this film speaks above all, a total and solar love in which family and friends are seized in the same poetic field. Perched on the rocks of the island, the house of Frédéric Pardo and Tina Aumont became in 1968 a meeting place for the underground community. Pierre Clémenti stays there for a while and makes images of dazzling sensuality. Beyond Pierre Clémenti’s intimate love of these faces and bodies often naked in this Mediterranean landscape, the film reveals the moving beauty of a utopia where living together could still be achieved in a territory of sharing and permanent creation.Read More »

During the Russian Civil War, the Red Army – aided by Hungarian Communists – and the White Army fight for control of the area surrounding the Volga.

MUBI wrote:
Set in 1919, during the aftermath of the Russian Revolution, Miklós Jancsó’s The Red and the White is a war film unlike any other. In the brutal Civil War which took place, Hungarian volunteers supported the ‘Red’ revolutionaries in a war of attrition against the ‘White’ counter-revolutionaries.Read More »

Scientists step through a time portal and travel 107 years into the future. They find a barren underground post- nuclear war world where a handful of “normal humans” are being attacked by mutants. Preston Foster (I Am a Fugitive from a Chain Gang, The Last Days of Pompeii), Philip Carey (Fighting Mad, The Seven Minutes), Merry Anders (Tickle Me), Steve Franken (Avalanche, Freeway), and Dennis Patrick (Heated Vengeance, Joe) star in this sci-fi classic. Now watch this thrilling adventure from a brand new 2020 2K scan!Read More »

Quote:
It is a Sunday in late winter. Church bells ring as Huh-wook sets off to meet his sweetheart Jee-yun. Huh-wook, who cannot afford to start a family, goes off to meet his friends to get money for an abortion for Jee-yun. But he instead ends up stealing from a friend when no one wants to lend him money. The doctor recommends an abortion for Jee-yun because she’s ill. Huh-wook leaves the hospital and has a drink, then visits a bar and a roadside bar with a woman he meets in a salon. Completely intoxicated, Huh-wook makes love to her in a construction site but comes to his senses at the sound of church bells ringing and runs back to the hospital. He arrives to discover that Jee-yun has died during the surgery and goes to tell her father, only to be turned away at the doorstep. Then the friend whose money he had stolen catches him and beats him up. Blood streaming down his face, he runs down the dark streets and reminisces about the happy times he had with Jee-yun.Read More »

Abel Gance’s Marie Tudor was produced by ORTF and broadcast on French television in two parts, on 23 and 30 April 1966. It is an adaptation of Victor Hugo’s play of the same name (1833), and was the first of two productions Gance made for French television – the second being Valmy (1967). Marie Tudor mines historical and literary material familiar from Gance’s earlier work. He had already turned to sixteenth-century history for his Lucrèce Borgia (1935) (which also echoed another Hugo play) and for his script for Jean Dréville’s La Reine Margot (1954) – likewise a literary adaptation (Alexandre Dumas’ novel of 1845). Though modest fare by Gance’s standards, Marie Tudor was one of the projects that marked his return to critical and commercial visibility in the 1960s – starting with Austerlitz (1960) and ending with his last film, Bonaparte et la Révolution (1971). This copy comes from the digital archive of the Institut national de l’audiovisuel (INA).Read More »

Playing on the legend of ghosts returning in the form of cats to seek vengeance for their deaths, Kuroneko [Black Cat from the Grove] tells the tale of a mother and daughter, raped and killed by marauding samurai, and their supernatural revenge.Read More »

Quote:
A cinematic visit to the Pergamon Museum in Berlin. The camera usually observes the visitors and paints their views on scenes of the ensemble of figures. The amazement at the beauty and grace of the antique sculptures is reflected in the faces of the viewers and emotion is palpable. The visitors come from all over the world – one sees Indians, Asians, Blacks. All age groups are represented, from children to old people. They come individually or in groups and communicate about what they see. The film gets along without any comment. You see more pictures of the visitors than of the altar. This means that it is important for the film to show the cultural interest of the people. Gerhard Rosenfeld creates atmospheric music with a classical feel to it. An early and extremely interesting work by the great documentary filmmaker Jürgen Böttcher.Read More »

Synopsis:
‘Lamiel (Anna Karina) is a poor orphan girl who climbs her way to the social elite in this 19th-century costume drama. A doctor (Michel Bouquet) lives vicariously through Anna as he oversees the progress of his female protege. Lamiel finds love with a young thief who steals into her bedroom after her marriage to a penniless count (Jean-Clause Brialy), and the two experience a romantic rendezvous of forbidden love after Lamiel goes from being a poor peasant woman to living a life of comparative luxury.’
– Dan Pavlides (AllMovie)Read More »

Quote:
One 24 December, Léopold Tremblay, 32 years old, a snow removal worker, is busy with the snowstorm falling on Montreal. But he must also think of buying gifts for his wife and son, picking up his cousin returning from the South at the train station, and moving furniture for his friend Théo. At 11 p.m., the snow lets up and Léopold can finally go to midnight mass at St. Joseph’s Oratory, where his son sings in the choir.Read More »