1960s

The serene life of Pam and John Allen is rocked to its core when a mysterious man begins stalking their every move with late night phone calls, sudden appearances and sinister behavior.Read More »

A young woman is killed by her treacherous husband and returns as a vengeful ghost.Read More »

Takakura is a young gang boss tricked by the villainous Toru Abe. His underlings, lead by Chiezo Kataoka, start planning for revenge after Takakura dies in jail.Read More »

Part of DVD release Die “Oberhausener” – Provokation der Wirklichkeit (Provoking Reality)
Edition Filmmuseum 69Read More »

Down and out private detective is hired to catch a woman who dresses like Catwoman while committing robberies.Read More »

Quote:
Set in the 17th century, Le voci bianche tells the story of a young Roman youth,
Meo (Paolo Ferrari), who embarks on a career as “castrato,” although he manages to
escape the mandatory castration. As a “castrati” he comes into contact with the upper
classes of his time, and becomes a kind of casanova with the often bored and sex
starved wives of the rich and wealthy. For an early directorial effort, this is a
very handsome production with an impressive cast.Read More »

THE SCREEN HAS NEVER WITNESSED SUCH SCENES!
Marsha Jordan stars in this tell all tale about being a madam.Read More »

During the 1930s, a teenager yearns for a Catholic girl, whose only desire is to reform his sinful tendencies. Hormones raging, the young man channels his unsatisfied lust into the only outlet available: savage, crazed violence.Read More »

Quote:
Described as one of the first acid-causalities in history, David Larcher’s Mare’s Tail is an epic 160-minute journey into the iconoclast’s mind, where connections between images defy logic but construct a languages of their own. Larcher once described the film as, “a photographer’s home movie put through a washing machine,” which I suppose only adds more confusion to the already complex presentation of abstract images. The film is a ride into Larcher’s subconscious, or more accurately, Larcher’s attempt at re-presenting the cacophony of imagery and sounds from his brain into some sort of coherence; we quickly figure that narrative is the least of the director’s interests. Read More »