
A Russian beggar and his performing dog Flip struggle to make ends meet living upon the cruel streets.Read More »

A Russian beggar and his performing dog Flip struggle to make ends meet living upon the cruel streets.Read More »

Plot Synopsis by Hal Erickson
Three Stripes in the Sun was based on The Gentle Wolfhound, a New Yorker article written by E. J. Kahn Jr. Set in postwar Japan, the film concerns the activities of three U.S.-occupation soldiers: Sergeant Hugh O’Reilly ( Aldo Ray), the Colonel (Phil Carey) and Corporal Neeby Muhlendorf (Dick York). Though he hates the Japanese with a passion, Sergeant O’Reilly softens as he gets to know the local citizenry. Soon, the hard-bitten sergeant is sneaking food provisions to Japanese children and donating his GI pay towards the building of an orphanage; he also falls in love with lovely interpreter Yuko (Mitsuko Kimura). Meanwhile, the Colonel handles his responsibilities with slick, military precision, while Corporal Muhlendorf spends his time looking for “action.” Serving as technical advisor on Three Stripes in the Sun is Master Sergeant Hugh O’Reilly, the real-life model for the Aldo Ray character.Read More »

Simon is a young man who has decided to make quick money by smuggling narcotics. At a meeting with his contact they are ambushed by the police. Simon runs away but loses his wallet and so supposes that his identity must now be known to the police. Kalpak, the unscrupulous man who organizes this group of smugglers insists that he and Simon to leave at once. Simon agrees to cross the border illegally. Simon’s girl-friend Lena and his brother Cvetko are involved in this operation by chance. They all leave together. Lena tries to persuade Simon to give himself up to the authorities, but the arguments of Kalpak, who uses the lost wallet as a threat, are stronger. In the attempt to cross the lake in a stolen boat they are chased by the police. Kalpak gets killed, Simon is wounded and the girl Lena drops the narcotics into the lake.Read More »

Two men emerge from the sea onto the beach carrying a large wooden wardrobe with a mirror on its front. After the two men clean up and rejoice to be in this new environment, they proceed to enter the nearby town, they carrying the wardrobe wherever they go. They just want to meet people and experience their new surroundings, but are largely shunned or ignored. In some instances, they are shunned even when their presence helps the situation. And in other instances of being shunned, they are beaten. And when they are ignored, the world just keeps going without them, often at the detriment of humankind. Ultimately, the two men, with their wardrobe, make a decision about what to do in light of their experiences.Read More »

Quote:
A short film originally intended to be a commercial for Schwechater Beer, but along the way it morphed into something completely different.Read More »

A man walks down the exterior staircase of building of flats; he’s dressed to go out, taking care to wrap a scarf around his neck. He pauses as he passes a small window that’s about eye high. He ventures to look in, and there a young woman stands at a washbasin, drying her hair, the towel that obscures her face her only covering. The peeping tom gets an eyeful and smiles; he’s interrupted by a door opening, the flat’s occupant bringing out empty bottles to place on the porch. The man pretends to leave, departing down the stairs, only to return to the window after the flat’s door has closed. He again looks in the window, where a surprise awaits.Read More »

Quote:
Kubelkas achievement is that he has taken Soviet montage one step further. While Eisenstein used shots as his basic units and edited them together in a pattern to make meanings, Kubelka has gone back to the individual still frame as the essence of cinema. The fact that a projected film consists of 24 still images per second serves as the basis for his art.Read More »

Brief Synopsis:
20th Century-Fox put a lot of eggs in this 1953 film—Cinemascope, 3-D and stereophonic sound on prints for the few theatres equipped for that sound system in 1953, and the result was possibly the best 3-D film made during the craze. The basically-simple plot, in theory but more than that in execution, concerns a spoiled and alcoholic millionaire, Robert Ryan, who breaks his leg falling off of a horse, and is left to die in the desert by his cheating wife, Rhonda Fleming (born for Technicolor and 3-D), and her lover, William Lundigan.Read More »

Based on the biographical story by Fumi Kuroyanagi, the film is about the hardships of two sisters living in present day Japan.Read More »