

Fernando Birri’s Tire dié (Throw Me a Dime, 1958) begins with an aerial shot of the provincial city of Santa Fe, Argentina. The association of voice-of-God narration with perspective-of-God images only reveals the full extent of its parodic intent as the narration progresses and conventional descriptive data (such as geographical location, founding dates, population) give way to less conventional statistics (the number of streetlamps and hairdressers, loaves of bread consumed monthly, cows slaughtered daily, and erasers purchased yearly for government offices). Read More »







