The story of a young girl’s first love is told from the heroine’s point of view. Surrounded by various people, she finally begins to awaken to her own feelings as a woman.Read More »

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Troubled, unemployed New York office worker Sue (Anna Thomson) lives in Manhattan’s Chelsea neighborhood. However, job interviews lead nowhere, and she’s behind in the rent, forced to accept a prostitute as a roommate. Meanwhile, she veers close to a mental precipice as she wanders the city, seeking human contact. She finds a friend in free-lance journalist Ben (Matthew Powers), but after he leaves the country on an assignment, she becomes increasingly disturbed and unable to cope, facing both eviction and mental collapse. Shown at 1997-98 film festivals (Toronto, Berlin).Read More »

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In 2011, the prolonged armed conflict in the Basque Country appears to come to an end. A young woman runs away wanting to cross the border. She arrives in Zubieta, a border village where ancient myths and modern conflicts seem to converge.Read More »

Government agent Richard Greene is sent to the French-Spanish border to round up smugglers and counterfeiters after his brother is murdered. He is helped by singer Anouk Aimée with whom he falls in love.Read More »

Synopsis
An ironic look at what it is like to be beautiful for a woman (and handsome for a few men) in the Paris of the late twenties…Read More »

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It is the last film of the Solovyov trilogy and possibly the last “underground” soviet film. A great scientist returned from US, where he was given a PC (a very rare and expensive thing for Russia of that time) and some other awards for his outstanding research. The KGB and “Bratva” did the best to meet him at his motherland and get a piece of his prize. Besides, it is the film of the last years of “perestroika” which was, in itself, the mass hallucination. So that is the way Solovyov made his film.Read More »

A fake music-hall clairvoyant meets a woman, and suddenly his predictions seem to come true …Read More »

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Introduced to the homosexual lifestyle by soldiers, Karl later enlists in the military. After leaving the service, Karl plunges into civilian life as an insatiable loner desperately trying to find himself.Read More »

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Garrel leap into a form of generational psychodrama with the improvised La concentration, shot over a 72-hour period in a locked room with the camera on visible tracks as Jean-Pierre Leaud and Zouzou moved between a boiling hot room and an ice-cold one with a bed in between.Read More »