PLOT: Joey, a musically-inclined college student who falls for Ana, a married young woman vacationing from Manila. As their friendship starts blossoming into romance, the two slowly uncover startling truths about each other’s pasts.Read More »

Quote:
Roberto Razzi, skeptical and convinced atheist, is the conductor of the Futuro program, in which he unmasks the most common tricks and deceptions that make the miracle cry out to everyone.Read More »

Grotesque dark shadows of a faceless manly figure invade the quiet bedroom of an affluent newly married woman. A freelance reporter is onto something; however, can he piece together the truth before she loses both her sanity and her life?Read More »

KatsuKanai wrote:
My first film, The Deserted Archipelago, emerged out of the intersections between my own experiences and fantasies and Japan’s postwar history, and, as such, I might call it the “Human Chapter” of my trilogy. In contrast, Good-bye pursues the mystery of my distant DNA. Since it moves from blood to land, I might call it the “Earth Chapter.” Following these two narratives came The Kingdom. Even if we were to deny all gods, there is one god controlling us, one god whom we cannot refuse: the god of time. The Kingdom was my challenge to that god of time as well as the finale, “The Heavenly Chapter,” to my Smiling Milky Way Trilogy.Read More »

“A strikingly atmospheric work – intense, dark and at times extremely disturbing… ~FrenchFilms

Synopsis:
A few weeks into a preparatory course for entry to the prestigious École Normale Supérieure, Delphine witnesses the suicide of a fellow student, Claude. Traumatised by the experience – which is made more acute by the fact that Claude spoke to her a short while before she killed herself, Delphine finds herself drawn to unravel the mystery of the tragic death. She is attracted to Claude’s charismatic boyfriend, Axel, in spite of his cruelty and extreme political views. Axel agrees to have sex with Delphine if she first manages to sleep with Claude’s brother, Bertrand, a cadet who hopes to enter the elite military academy, St. Cyr. Through Bertrand, Delphine finds out more about Claude’s life and the reason for her suicide…Read More »

Julia, Du bist zauberhaft (AKA Adorable Julia) is a 1962 Austrian comedy film directed by Alfred Weidenmann and starring Lilli Palmer, Charles Boyer and Jean Sorel. It was entered into the 1962 Cannes Film Festival.[2] It is based on the 1937 novel Theatre by W. Somerset Maugham, and the subsequent play that Guy Bolton and Marc-Gilbert Sauvajon adapted from the novel.Read More »

Wim Wenders talks with Japanese fashion designer Yohji Yamamoto about the creative process and ponders the relationship between cities, identity and the cinema in the digital age.Read More »

After the national success of Sexual Freedom in Denmark, producer John Lamb leapt back into the fray, releasing Sexual Liberty Now! in the fall of 1971. Sexual Liberty takes a defensive posture, specifically focusing on the efforts of certain members of the President’s Commission on Obscenity and Pornography to stamp out the menace of sexual expression in the United States. “Pornography perhaps is a nuisance,” the film’s narrator intones toward the film’s end, “but it’s certainly not a menace.”Read More »

The Autobiography of Nicolae Ceausescu starts with the familiar, grainy and juddering shoulder-held images of Nicolae Ceausescu and his wife Elena just before their execution. What follows is beautiful archival footage of state visits, party congresses, visits to crowded stores. In the course of the film – the subdued and radical masterpiece lasts more than three hours – the manifestations show increasing signs of megalomania; people sing and clap for Ceausescu, his name is chanted during endless parades. There are beautiful colour shots of Ceausescu joining in a volleyball match. He stands by the net and with one hand he keeps pulling it down a little to try and get the ball over with his other hand. No one dares to say a word.Read More »