Paris, je t’aime is about the plurality of cinema in one mythic location: Paris, the City of Love. The filmmakers have five minutes each; the audience must weave a single narrative out of eighteen moments. The moments are fused by transitional interstitial sequences and also via the introduction and epilogue. Each transition begins with the last shot of the previous film and ends with the first shot of the following film, extending the enchantment and the emotion of the previous segment, preparing the audience for a surprise, and providing a cohesive atmosphere. There’s a reappearing mysterious character who is a witness to the Parisian life. A common theme of Paris and love fuses all.Read More »

Once Were Brothers: Robbie Robertson and The Band is a confessional, cautionary, and occasionally humorous tale of Robbie Robertson’s young life and the creation of one of the most enduring groups in the history of popular music, The Band. The film is a moving story of Robertson’s personal journey, overcoming adversity and finding camaraderie alongside the four other men who would become his brothers in music and who together made their mark on music history. Once Were Brothers blends rare archival footage, photography, iconic songs and interviews with many of Robertson’s friends and collaborators including Bruce Springsteen, Eric Clapton, Van Morrison, Martin Scorsese, Peter Gabriel, Taj Mahal, Dominique Robertson, Ronnie Hawkins, and more.Read More »

This chamber drama is set in Georgia on the turn of the 19th and 20th centuries. A simple peasant family makes its living by selling yogurt which the Magdany widow takes every morning to the town market. Once, in their mother’s absence, the children – six-year-old Mikho and three-year-old Kato – found an abandoned donkey on a road leading to their village. The foundling was fed, tended, and the moment the donkey opened its big, tender eyes, it was named “Lurdja”, which means “blue-eyed”. Surrounded by love and care, the donkey became a big help in the poor household. But this idyll was not to last long…

Winner – Palme d’Or, Cannes IFF, 1956Read More »

From Klassiki:
One of the first films from Eastern Europe to explore the lives of the Roma in sympathetic detail, and to cast Romani-speaking Roma in order to do so, Aleksandar Petrović’s Cannes-winning classic builds a complex and humanistic narrative out of the misery of life in a Vojvodina village. Ill-fated romance leads the central trio of swaggering, mean-spirited Bora (Bekim Fehmiu), folk singer Lenče (Olivera Vučo), and young beauty Tisa (Gordana Jovanović) through a whirlwind of unforeseen circumstances, captured in striking colour and intricate period detail. Aleksandar Petrović was always the most accessible of the directors who made up Yugoslavia’s “Black Wave” avant-garde in the 1960s and ‘70s, and this tribute to unruly freedom is his most populist work.Read More »

Daphne’s life is peaceful. She has solid marriage with a successful lawyer, two charming children and a nice local bookshop. Recently her father passed away and left her a good deal of money, but besides that it’s the same old routine. This routine is about to abruptly change when Daphne befriends with Ami.Read More »

Quote:
The most daring and achieved of all the ‘illegal’ independent films made in China in the ’90s – and quite probably the last, since it prompted the Film Bureau to formally outlaw unauthorised production and confiscate the directors Zhang Yuan’s passport.Read More »

A woman is taken to a mysterious clinic whose patients have a mental disorder in which their memories and identities are disintegrating as a result of a strange environmental accident.Read More »

A pregnant wife who becomes worried about her husband’s sleeping habits. What starts out as some light sleep-talking soon escalates to unexpectedly grotesque behaviour. They consult a sleep clinic without success and as his nightmarish behaviour escalates, they desperately seek help from a shaman.Read More »

Emergency Landing is a 1952 Norwegian film directed by Arne Skouen.
It was entered into the 1952 Cannes Film Festival.

An American bomber is shot down on the Norwegian coast during World War II. The airmen bail out and land at different locations. In spite of the German search for them, the Norwegian resistance picks them up and hides them in the attic of the local church, a center of operations. Things become tense, however, when the hideout is spotted by a notorious collaborator, and soon the protagonist, Hans (Henki Kolstad), has to get the airmen to Sweden.Read More »