Pauline, a psychologist and instructor of driver’s license recovery courses, waits for the driver who killed her husband to get out of prison in order to avenge him.Read More »

Four men are gathered to play a game of bridge, when the conversation turns to unnatural and occult events, while the scientist among them tries to give the experiences a natural explanation.Read More »

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A documentary on China, concentrating mainly on the faces of the people, filmed in the areas they were allowed to visit. The 220 minute version consists of three parts. The first part, taken around Beijing, includes a cotton factory, older sections of the city, and a clinic where a Cesarean operation is performed, using acupuncture. The middle part visits the Red Flag canal and a collective farm in Henan, as well as the old city of Suzhou. The final part shows the port and industries of Shanghai, and ends with a stage presentation by Chinese acrobats.Read More »

In what remains the most obscure, bizarre and wildly misunderstood film of her entire career – and perhaps even ‘70s Italian cinema – Elizabeth Taylor stars as a disturbed woman who arrives in Rome to find a city fragmented by autocratic law, leftist violence and her own increasingly unhinged mission to find the most dangerous liaison of all. Academy Award nominee Ian Bannen (THE OFFENCE), Mona Washbourne (THE COLLECTOR) and Andy Warhol co-star in this “unique, hallucinatory neo noir” (Cult Film Freaks) – barely released in America as THE DRIVER’S SEAT – directed by Giuseppe Patroni Griffi (‘TIS PITY SHE’S A WHORE), adapted from the unnerving novella by Muriel Spark (The Prime Of Miss Jean Brodie) and featuring cinematography by three-time Oscar winner Vittorio Storaro.Read More »

The story of one shepherd’s single-handed effort to reforest a desolate valley.Read More »

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DreaMinimalist (2008) offers an insightful and hilarious encounter with Conrad as he sings, dances and remembers his youth and his association with Jack Smith.

“Marie Losier is the most effervescent and psychologically accurate portrait artist working in film today. Her film wriggle with the energy and sweetness of a broken barrel full o’ sugar worms!” Guy MaddinRead More »

review – AMG:
A precisely cut social commentary, Dance with a Stranger captures the twin woes of austerity and repression that characterized 1950s Britain. Director Mike Newell keeps polemics to a minimum, treating his subject as a carefully observed study of class tension and sexual obsession. He dissects the Ellis-Blakely affair in the measured, diligent manner that one might employ to reconstruct a catastrophic train wreck; since the outcome is a foregone conclusion, Newell finds drama in the forces leading to that conclusion. The film works best as a grim character study, in which character is seen (by society) as an outgrowth of class. Read More »

A series that is comprised of twenty-one monologues written by American playwrights which form a sort of fractured portrait of the American collective psyche. Ranging from the sad to the hilarious, from the angry to the tentatively celebratory, many of the major and recurrent issues associated with our fraught but beloved union are reconsidered with elegance, wit, brutal honesty, and a little outright insanity.Read More »

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In July 1990, a dispute over a proposed golf course to be built on Kanien’kéhaka (Mohawk) lands in Oka, Quebec set the stage for a historic confrontation that would grab international headlines and sear itself into the Canadian consciousness. Pathbreaking filmmaker Alanis Obomsawin – at times with a small crew, at times alone – spent 78 days behind Kanien’kéhaka lines filming the armed standoff between protesters, the Quebec police, and the Canadian army. The result is a uniquely harrowing, unsettling, and impactful cinematic experience.Read More »