Old weaver’young and dissatisfied wife behaves badly to her husband’s cousin, Marietta and has an affair with worker, Luke. Marietta makes a plan for revenge.Read More »

First film by the most prominent Swedish director of today.

Kommer ni ihåg när vi var i Alperna tillsammans? Alla kompisar som en enda stor familj. Det
var ju så man skulle leva, svårare var det inte. Men plötsligt är det som om livet kommer
smygande inpå oss och vi börjar inse att så här kommer det inte vara för alltid. Så lätt
kommer vi inte undan.Read More »

When a group of friends discover how to conjure spirits using an embalmed hand, they become hooked on the new thrill, until one of them goes too far and unleashes terrifying supernatural forces.Read More »

Fascinated with women from an early age, Yonosuke (Ichikawa Raizo) had his first sexual encounter at the age of seven. From that day on, he recklessly and forwardly pursues women, feeding his fascination and experience. As Yonosuke’s salacious behavior brings much cause for shame to the family, his father eventually breaks relations with him. Expelled from the family, 19-year-old Yonosuke embarks on a pilgrimage of lust, traveling far and wide to acquaint himself with women of all walks.Read More »

Quote:
In 1964, while on a short trip to Paris, the American writer and art-lover James Lord (Armie Hammer) is asked by his friend, the world-renowned artist Alberto Giacometti (Geoffrey Rush), to sit for a portrait. The process, Giacometti assures Lord, will take only a few days. Flattered and intrigued, Lord agrees. So begins not only the story of an offbeat friendship, but, seen through the eyes of Lord, an insight into the beauty, frustration, profundity and, at times, downright chaos of the artistic process. FINAL PORTRAIT is a portrait of a genius, and of a friendship between two men who are utterly different, yet increasingly bonded through a single, ever-evolving act of creativity. It is a film which shines a light on the artistic process itself, by turns exhilarating, exasperating and bewildering, questioning whether the gift of a great artist is a blessing or a curse.Read More »

Hal Erickson writes:
Despite an ad campaign wherein RKO Radio congratulated itself for its “guts”, this long-delayed film version of Norman Mailer’s bestselling WW2 novel The Naked and the Dead still had to pull most of its punches (especially when it came to four-letter words). Aldo Ray heads the cast as sadistic sergeant Croft, who’d as soon kill one of his own men as he would the Japanese. Sensitive, moralistic Lieutenant Hearn (Cliff Robertson) tries to put a leash on Croft, but he’s ordered to keep out of the situation by psychotic General Cummings (Raymond Massey), who is convinced that soldiers will fight harder the more they hate their superiors.Read More »

Presentation from the San Francisco Film Festival :
“Johan de Bakker is a first-rate baker, meticulous in his trade and exacting in his recreational pursuits which include balancing eggs, building towers of pebbles by the river and waiting stoically in the town square for the daily bus to arrive. Illiterate and hardly exacting in his social skills, Johan is a 35-year-old child and the enigmatic hero of this charming Dutch comedy. His slightly more worldly friends decide to play Cyrano and their ghostwritten love letters on his behalf provoke a woman’s visit “from foreign climes.” Set in a tiny village in the north of Holland, Egg takes its eccentric characters at face value and Israeli-born writer-director Danniel Danniel’s cheerfully deadpan approach is reminiscent of early Jacques Tati. Skillfully introducing the villagers through their mundane routines, Danniel weaves a whimsical fable based in limited realities where “more than one outcome is possible. With a talented cast, Egg succeeds as an offbeat comedy through understatement and authentic charm.”
—Richard PenaRead More »

A crew is shooting a libertine costume film when Valentin, the director, suddenly disappears. While the local police investigate, the film shoot continues but takes an odd turn. Robin, the cameraman and director’s lover, follows a promise.Read More »

A female university student goes missing one day and later is discovered as a victim of a hit-and-run. Assuming the kidnapper and the driver are the same person, police begin investigating the case and find two witnesses who were at the scene: Soo-ah, a visually impaired woman who was once a very promising student at a national police university, and Gi-seob, a young man who happened to see the hit-and run. The case becomes even more complicated as the two witnesses tell different stories about the accident.Read More »