Synopsis: Teen romance film based on a manga (Japanese comic book) series by Fujoshi Rumi.Read More »

Monish Rai comes from a wealthy family, and is in love with Deviyani, who is poor. Monish has to travel abroad to further his education in law, but promises to stay in touch with Deviyani. After his departure, financial problems surround Deviyani and her dad. She approaches Monish’s mom for assistance, but is refused. In desperation, her father gets her married to a much older man, who is also alcoholic and frequents courtesans. Deviyani gets pregnant and gives birth to a baby girl, Suparna. Unhappy with her marriage and her circumstances, she runs away. She approaches a nun, Mother Mary, in a monastery and leaves Suparna in her care and disappears forever. When Monish returns he runs into Deviyani, but is told that the person he has seen is a Lucknow based prostitute, Pannabai. Is Deviyani still alive? Who is Pannabai? What happened to Suparna?
—rAjOoRead More »

Tragedy and temptation become tangled in this tale of complicated love. Three years ago, Ja-young tragically lost her beloved husband, leaving Ja to raise a daughter, Yoo-jin. When handsome suitor Dong-ha enters the picture, Ja finds her passions reignited – only to have temptation twisted yet again.
— IMDbRead More »

IMDb wrote:
France, 1885. Celestine, a Parisian girl arrives in the rural Lanlaire mansion to work as the chambermaid. Barely alighting from the train, Celestine has already been rebuffed by the haughty valet Joseph (an excellently surly Lederer), and confides to the also newly arrived scullery maid Louise (a mousy and dowdy Irene Ryan) that she will do whatever in her power to advancing her social position and firmly proclaims that love is absolutely off limits, and the film uses the literal diary- writing sequences as a recurrent motif to trace Celestine’s inner thoughts.Read More »

Quote:
Hotel Monterey is a cheap hotel in New York reserved for the outcasts of American society. Chantal Akerman invites viewers to visit this unusual place as well as the people who live there, from the reception up to the last story.New York City’s Monterey is a residence hotel; the residents we see are older, most live alone. The camera, usually stationery, begins with a look into the lobby. The film ends with a panorama from the hotel’s rooftop. There’s no soundtrack. The lobby is clean with granite floors. Men wear hats. People enter and exit an elevator. The camera looks out from within the elevator as doors open and close. People sit alone and motionless in their apartments. There are long shots of empty halls. Paint peels. The flooring on upper levels is linoleum. Hall lights are florescent. Doors open a crack then close. The film provides the feeling of what it’s like to live there.Read More »

Quote:
Praunheim’s film is at once a pedagogical caveat and political manifesto. Following naïve country boy Daniel after he moves to Berlin and encounters a thriving gay community, It Is Not The Homosexual is a provocative look at the lives of gay men in 1970s Germany. The film follows Daniel from heteronormative behaviour to finding a sugardaddy to a job in a local gay bar, making him the most eligible bachelor in town. Through Daniel’s journey Praunheim comments on everything from the shallower tendencies in gay culture to cruising for sex in the early ‘70s until Daniel meets a group of revolutionary gays who introduce him to the gay rights movement. Like many of Praunheim’s films It Is Not The Homosexual caused a scandal in both the liberal and conservative establishment as well as in homosexual circles after it was first shown on German state television in 1973. What makes Praunheim’s work so provocative as a queer director is his fearlessness, what others call audacity, to not only point the finger at society, but also at the gay community itself as guilty of homophobia.Read More »

I Shot Andy Warhol is a 1996 independent film about the life of Valerie Solanas and her relationship with Andy Warhol. The movie marked the debut of Canadian director Mary Harron. The film stars Lili Taylor as Valerie, Jared Harris as Andy Warhol and Martha Plimpton as Valerie’s friend Stevie. Stephen Dorff plays Warhol superstar Candy Darling. John Cale of the Velvet Underground wrote the film’s score despite protests from former band member Lou Reed. Yo La Tengo plays an anonymous band that is somewhat reminiscent of the group.

The film was screened in the “Un Certain Regard” section at the 1996 Cannes Film Festival.Read More »

A young diplomat is prey to the sarcasm of his own “boy”, who sees in him one of the many black-skinned Europeans totally lacking in authenticity and adrift between two cultures. But this adaptation of a novella by Francis Bebey is not limited to this simple contrast. The black man may well fall for the deceptive seductiveness of the blonde woman, but this same white beauty just as easily allows herself to be seduced by the mystery of black Africa. After all, the stereotype differences between Blacks and Whites can never tell the whole story. This culture clash is also the story of a master and his servant, of a director and his secretary, of the same director and the director-general, of a husband and his wife. It cannot be by chance that in the end, after a ritual invasion of his own living room, the diplomat rediscovers his identity by means of the mask, which as we know always conceals and reveals at the same time.Read More »

Synopsis:
This is the two-part film “Noon in Tunisia” by Peter Lilienthal, a meeting of jazz and Arabic music at various public or open-air venues in Tunisia. Under the direction of George Gruntz, European and US jazz musicians play his suite-like composition “Maghreb Cantata”, which is based on original Bedouin dances, together with Arab performers. The highlight is the Fazani, a rhythm of Bedouin tribes from the desert region of the Libyan-Tunisian border. The recording took place from 5.5. – 24.5.1969 in and around Tunis.Read More »