Philippe, a photography enthusiast, is attracted to his young aunt so he makes a plan to get his uncle involved with their maid in order to get the chance to have sex with his aunt.Read More »

In the far future water is the most valuable substance. Two space pirates are captured, sold to a princess, and recruited to help her find her father who disapeared when he found information dangerous to the rulers. A real Space Opera with sword fights, explosions, fighting robots, monsters, bar fights and time warps.Read More »

College friends reunite for a New England summer weekend in this low-budget first feature by accomplished independent filmmaker John Sayles. A predecessor of the well-paced, character-driven films in Sayles’ future, Secaucus Seven also looks ahead to the 1980s ensemble movies that it inspired, most notably Lawrence Kasdan’s The Big Chill, which arrived in theaters three years later. As each friend arrives at the house (or travels to the house), characterizations build, dialogue expands, and the house (and film) are full of people getting reacquainted and re-examining themselves and each other. Sayles builds the plot by testing the characters’ connections: Will these former radicals accept the uptight boyfriend of the well-loved politico? What happens when a couple splits up? How does the educated set treat the local blue-collars? Many critics cited Secaucus Seven in their decade-end list of the best films of the 1980s.Read More »

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Three women in a maternity ward reveal their lives and intimate thoughts to each other.

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At the height of his international acclaim, Ingmar Bergman followed two meditations on death, The Seventh Seal and Wild Strawberries, with an examination of the mystery and pain of birth. This intimate chamber drama, set in a maternity ward, follows the emotional crises of three women as they grapple with motherhood. Another major success for the director that was also recognized for its exquisite performances by Ingrid Thulin, Eva Dahlbeck, and Bibi Andersson, Brink of Life is one of Bergman’s most brilliantly nuanced explorations of the inner lives of women.Read More »

The story of an 18-year-old princess who becomes Queen of England. It chronicles six decades of her reign during a period of immense change and her marriage to a prince who would become her treasured source of stability and affection.Read More »

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A beautiful 18-year-old orphan escapes from a reformatory and hooks up wth a gang of jewel smugglers, and decides on a life of crime. However, she falls for and marries a policeman, putting a crimp in her criminal career.Read More »

Two actors wandered from house to house in the countryside in the roles of the photographer and the retoucher business man offering their photographic services to the people.Read More »

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What happens when Governor Farley of Idaho (Beau Bridges decides to close his state’s borders rather than allow a planeload of immigrant orphans to make it their home? The answer is hilarious, frightening, scandalous – and may well be the start of The Second Civil War.

In this outrageous comedy, a nation watches – on TV – while the President (Phil Hartman) turns to his advisors, including lobbyist Jack Buchan (James Coburn), for advice. As the crisis escalates, it all depends on the Governor of Idaho. Will he be open to peaceful negotiations? Not before he’s negotiated his way back into the bedroom of his businesslike NewsNet reporter Christina Fernandez (Elizabeth Peña) with whom he is having a stormy affair. NewsNet is covering the tension at the Idaho state border as armed forces move in from either side. Will the Governor give way to his immigrant love or anti-immigration war? Either way, it looks like there’ll be nothing civil about The Second Civil War.Read More »

The Son of Gascogne (1995)
October 9, 1995
FILM FESTIVAL REVIEW;Maybe He’s The Son Of a Film Legend
By STEPHEN HOLDEN
Published: October 9, 1995

There really isn’t much difference between a favorite screen image and a personal memory of youthful passion, except that one exists on film and the other only in our private mental movies. That insight lies at the heart of Pascal Aubier’s delicious comic bouillabaisse of a film, “The Son of Gascogne.” The film, which the New York Film Festival is showing tonight at 9 and tomorrow night at 6 at Alice Tully Hall, is a fable about an innocent young man who inherits a mystique that has everything to do with old movies and old loves and our eagerness to confuse the two.Read More »