In the solitude of his apartment, Rousseau reads shorts excerpts from Racine’s Bérénice, images of separation; he films in a café, musicians in the street, a dance, domestic intimacy, in a self-portrait that reflects the contradiction between desires and time. “For a long time I have wanted to try and see if I could create a drama with the simplicity of action which the Ancients so favoured. There are those who believe that this very simplicity is a sign of a lack of inventiveness. They do not consider that, on the contrary, all invention is to create something out of nothing.” (Racine, preface to Bérénice, 1670.)Read More »

Quote:
It’s not unusual for pre-production publicity on a new film to revolve around the star or the director but it’s particularly rare when it focuses on a construction site. In the case of the glossy 1960 soap opera, Strangers When We Meet, directed by Richard Quine, the real star of the movie was the cliff top Bel Air home that was constructed especially for the film by architect Carl Anderson and art director Ross Bellah. Central to the storyline, the house with the ocean view is the vision of architect Larry Coe (Kirk Douglas) who is building it for a successful novelist, Roger Altar (Ernie Kovacs), who wants something different and unique. In the course of construction, Coe, who is bored with his marriage to Eve (Barbara Rush), meets and ardently pursues Maggie Gault (Kim Novak), a sexy, blonde housewife he first encounters at his son’s elementary school when they are dropping off their children.Read More »

A story about one team that decides to follow a dream that takes them on a journey to the First World Football Championship in Montevideo, Uruguay in 1930. A dream that allows them to become true stars and living legends.Read More »

Synopsis
Bridgeport, January 2008. A teenage girl is found hanged in her room. While everything points to suicide, the autopsy report reveals something else. Ten years later, the director and cousin of the teenager examine the past causes and future consequences of this unsolved crime. Like an imagined biography, the film will explore the relationship between the security of the living space and the violence that can jeopardize it.Read More »

Synopsis: During the Russian campaign, a military pastor was to assist Private Baranowski, who was sentenced to death for his desertion, on his last night. It is also the last night before the departure for Stalingrad that the soldiers know that it means certain death. The pastor leaves his room to a captain so that he can meet his fiancé again. He himself remains in Baranowski’s cell and struggles with his conscience and emotion – even more than when he learns that the young doomed man fled for love. But the execution is carried out, and a member of the firing squad finds only cynical words for the fate of the soldier.Read More »

Quote:
Noriko, 28, is a secretary in a small company in Tokyo. She is a modern young woman but she still lives with her parents, just like her brother, his wife and their two children. She is under great pressure from her family; in fact, it is not reasonable at this age not to have yet married. But the young girl rejoices in her independence. Her boss offers her a good deal of his knowledge but Noriko hesitates until a sort of illumination solves the problem for her, at least…Read More »

In the countryside, somewhere in the Bavarian Nowhere. Kirchenwirt Alois is financially up to his neck. His restaurant runs extremely bad, and only the bailiff regularly looks at him.Read More »

Storyline
Petru is a professor of mathematics at the Polytechnic University of Bucharest and leads a carefree life. He’s in an open relationship with Irina, who overlooks that he sleeps with other women from time to time. But once Irina gets pregnant, Petru is forced to change his lifestyle and grow up, even he’s 42. One of his friends, who was always there for him, decides to write a book about his story. Written by noverbian (IMDB)

Awards
2019 Romanian Union of Filmmakers………………………..Best ScreenplayRead More »

A murky, downbeat spy thriller written by José Giovanni and starring Lino Ventura. A French spy in Vienna is suspected of being a double agent, and a colleague of his is sent over to investigate. When the former man is kidnapped by the Russians, his complex network of contacts has to be unravelled in order to trace an important microfilm. The two final ironic twists sort of cancel each other out, but a British director and Michael Caine could have done wonders with this script. Deray’s dry, anonymous matter-of-factness would be more suited to the parable of Un papillon sur l’épaule that he made with Ventura about a decade later.Read More »