
Quote:
A mangy cat on the verge of starvation finds a tiny canary and a bottle of ‘Jumbo-Gro’ fertilizer, which gives him an idea that leads to giant cats, dogs, mice and canaries chasing each other round Lilliputian towns and cities…Read More »

Quote:
A mangy cat on the verge of starvation finds a tiny canary and a bottle of ‘Jumbo-Gro’ fertilizer, which gives him an idea that leads to giant cats, dogs, mice and canaries chasing each other round Lilliputian towns and cities…Read More »

During the time of the Russian Revolution, this southern Russian actor has grown fascinated with the idea of a “people’s theater,” and with art which mirrors the principles of the Revolution. He even calls himself “Iskremas,” which means “revolutionary art to the masses.” As he and his small group tour in their area, they are constantly in danger from the White counterrevolutionary forces but show great courage and determination. allmovieRead More »

A police helicopter circles over a gated community on the outskirts of a large city. Something must have happened. The very first shot of this directorial debut conveys the paranoia which shrouds this film about the fears of an increasingly detached social class. Even a hole in the fence represents a life-threatening event. The other side of their self-made barrier marks the beginning of a social netherworld where they are convinced dubious and unpredictable creatures with designs on their wealth are lurking. The camera takes a step back to capture but also to question in grotesque and absurd tableaux this diffuse anxiety and almost primeval fear. When Argentina was rocked by a severe economic crisis several years ago, politicians exploited people’s fears in order to foster a general feeling of insecurity. In his ironic portrait of a constantly fragmenting society, Benjamin Naishtat ponders this development.Read More »

SYNOPSIS
Young protesters live together in a commune in Milano. One has a ventriloquist ability and is signed by national TV becoming a superstar in commercials aimed for kids. One by one his commune friends leave the protest to enter the business world except for one.Read More »

The Future of Emily (Flügel und Fasseln) is the work of Helma Sanders-Brahms, one of the original New German Cinema directors of the early 1970s. Unlike some of her more caustic films about the German experience, this is a relatively conventional drama of generational jealousy and bitterness, a picture that could well be a stage play. It’s also reminiscent of American movies about strong women in conflict, pitting famous German star Hildegard Knef against French actress Brigitte Fossey. Knef’s big break came with the very first post-war German success The Murderers Are Among Us. Fossey’s best-known picture remains René Clément’s Forbidden Games, where she played a Parisian tot orphaned by the war. The film’s original German title translates as “Wings and Shackles”, which apparently refers to the predicament of its movie star heroine Isabelle, a woman adored by fans but hobbled by family disapproval.Read More »


Quote:
René Clair, the most distinguished of the French motion-picture directors, is one of the great men of the cinema. His triumphant photoplays, Sous les toits de Paris, Le Million and, the finest of them all, A nous la liberté, stand among the genuine classics of the films. Now M. Clair, who has tried cheerful sentiment in Sous les toits, farce in Le Million, and brilliant social satire in A nous la liberté, gives up some of his adventurousness and returns to the quiet romantic mood of his earliest success in the new work called Quatorze juillet (“Fourteenth of July”). Read More »

A scientist finds the secret that predispose to the formation of the ideal couple. With this new alchemy, he achieves a pioneering experience: the creation of a perfect androgynous.Read More »

A man imprisons his estranged junkie friend in an isolated cabin in the boonies San Diego to force him through a week of sobriety, but the events of that week are being mysteriously manipulated.Read More »

Synopsis:
The film starts as a man in his early 40s and a woman in her late 30s, each of who has a family, set off to a small port called Wolgot. The reason for taking the trip together, despite the fact that they are strangers, is that they share a sense of affinity as well as a curiosity to know where this affinity might take them. The story takes place in a motel with its bare, characterless interior and absence of objects that are laden with memories and associations.Read More »