Quote:
After participating in the Ni Ni Roku Incident of February 1936, Lieutenant Shinji Takeyama has been given orders to execute some of his fellow mutineers. He decides to commit seppuku, and his wife Reiko vows to kill herself with him. They make passionate love, then commit suicide.Read More »
Synopsis:
Based on the classic by Alexandros Papadiamantis, “Murderess” takes place on a remote island in Greece, circa 1900. There, Hadoula, trapped in her own mother’s rejection, struggles to survive the dictates of a patriarchal society.Read More »
A battle weary GI and his unit stand ready to defend a small German town, a key position in the Allied advance to win the war, against the assault of the seasoned infantry and tank units of the German 11th Panzer Ghost division.Read More »
As with LIPSTICK ON YOUR COLLAR, the later re-working of this play, most of the action is set within the 1956 War Office in the midst of the Cold War and just prior to and contemporaneous with the Suez Crisis. Private Robert Hawk is the newly-arrived Russian language clerk. He is the son of a Yorkshire coalminer and a graduate of grammar school and of Oxford. He is doing his two years of national service. His job at the War Office is to assist the MI3 section in the translation of intercepted Russian documents on troop movements. Hawk is caught between his own working class roots and the upper middle class values and behaviours of the officers he works with. They mock him for his background, his immaturity and his intellectualism. He is also caught between his almost adolescent romantic idealisation of women as he sees them portrayed, for example, in his visit to the theatre to see Chekhov’s The Seagull and his equally adolescent sexual drives which lead him to consort with a prostitute for sexual release. He survives all this by inventing personalities for himself so that, in a pub and surrounded by football fanatics, he asserts his status by pretending to be (and convincing the fans that he actually is) the Russian national team goalkeeper. His deception fails when an old friend, Pete, comes into the pub and inadvertently unmasks him. To impress Pete that he holds an important position at the War Office, Hawk sets out to obtain a classified document but Pete fails to arrive at the rendezvous and the document is discarded.Read More »
The story of man who kills his friends during night party by toxin gas. He films the moment that the guests are breathing gas until they die. He attempts to kill other guests who didn’t come to the party in several ways.Read More »
Ang, a transgender sex worker with a pretty, feminine voice is assigned a special mission as an undercover spy. She disguises herself as a cisgender man to enter into a romantic relationship with Jit, a belligerent yet idealistic student activist with an evil voice.Read More »
Quote:
Jitsuroku is usually translated as “true story,” which in the yakuza movies of the seventies meant not so much historical accuracy as it did fights and blood of a new kind. The most famous of the jitsuroku yakuza movies are Kinji Fukasaku’s 5-part Battles Without Honor or Humanity, whose title neatly summarizes the change. The sixties yakuza movie had shown plenty of fights and, as effects gradually improved, increasing gore and blood spatters, but the core of the story was almost always a point of honor within the Yakuza Code and a hero with a sense of human feeling and responsibility. In the seventies, The Code disappeared along with the humane hero and we were offered only the battles and the blood.Read More »