In the near future where parenthood is strictly controlled, a couple’s seven-day assessment for the right to have a child unravels into a psychological nightmare.Read More »

On the way to their dream chance at a new beginning, Palestinian cousins Chatila and Reda end up in ‘stopover’ Athens. To a Land Unknown follows the two as they desperately plan their escape route when their paths cross with a young boy from Gaza and a lonely Greek woman. With their friendship and souls at stake for a passport to freedom, Chatila and Reda are drawn into a spiral of crime and violence. More and more, the in-between area tragically turns into a grey area … Internationally acclaimed director Mahdi Fleifel keeps the audience on the edge of their seat and humanity at the heart of his social-realist thriller. Anchored by nuanced performances by leads Mahmood Bakri and Aram Sabbah.Read More »

imdb wrote:
In the first nine years of his pontificate, Pope Francis made 37 trips visiting 53 countries, focusing on his most important issues: poverty, migration, the environment, solidarity and war. Intrigued by the fact that two of Francis’s trips – the first to the refugees landing in Lampedusa; the second in 2021 to the Middle East – so closely mirrored the itineraries of his films Fuocoammare (Fire At Sea, 2016) and Notturno (2020), Rosi follows the Pope’s Stations of the Cross. He sees what he sees, hears what he says and creates a dialogue between archival footage of Francis’ travels, images taken by Rosi himself, recent history and the state of the world today.Read More »

A fantasy thriller, where one face merges into the next. The thread that connects the worlds of the two protagonists, Niki and Lefteris, is memory, violence and a polemic of hope. A ‘solo’ performance in many respects by The Boy (director, writer, art director, composer) and his actress Sofia Kokkali, Nima challenges the values of contemporary society, with a unique cinematic articulation.Read More »

Qiang is a four-year-old little rebel… a clever child with sparkly eyes and an indomitable will. As his parents frequently work away from Beijing, they decide to take Qiang to board at a well-appointed residential nursery school.

Life at the kindergarten appears rich and colourful, made up of a variety of cheerfully sunny rituals and games meant to train these children to be good members of society. But it’s not so easy for Qiang to adapt to this kind of carefully organised, minutely scrutinised collective life.A fierce individualist in miniature, he tries but fails to conform to the model his teachers enforce. Yet he still craves the reward that the other students win: the little red flowers awarded each day as tokens for good behaviour.Read More »

“I have been working in film and photography for over twenty-five years. In that time I have tried through my journey to perfect my alchemy / my art / my life.

It is in the spirit of an experience and not of experiment that my work has been viewed these past 25 years, seized in moments of visual detachment during periods of emotional contact. These images are oxidized residues, fixed by light and chemical elements, of living organisms. No plastic expression can ever be more than a residue of the experience. Yet, that residue is recognition of an image that has somehow survived the experience, recalling the event, like the undisturbed ashes of an object consumed by flames.Read More »

Enrico Mattei had been a powerful and charismatic public figure in Italy in the immediate postwar era. Appointed to wind up the Italian Petroleum Agency, he had instead expanded it and used the new company, ENI, to both explore new sources of energy for Italy and to create a personal power base within the Italian political scene. Machiavellian and idealistic at the same time, Mattei openly used the company’s funds to bribe politicians of all persuasions to support its ventures. An energetic and astute entrepreneur, Mattei resented the big American companies’ control over oil prices and so initiated direct discussions with Russia and with a number of Arab countries in order to procure cheaper oil for Italy and, in the process, a better deal for the producing countries.Read More »

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Hsieh is an artist whose medium of expression is not words or sounds or paint, but his own life. His work consists of five “One Year Performances,” done between the years of 1978 and 1986, and “Earth,” a thirteen-year performance that stretched from the end of 1986 to the end of 1999. Each of these Performances involves a particular vow, a particular constraint, and a particular mode of being. Each of them is meticulously documented in a manner appropriate to its content. And, although Hsieh never explicitly states his rationales for his pieces, each of them implicitly raises profound, difficult questions about life and art and being, and about what it means to live in the world we live in.Read More »

Follows the beginnings of the iconic French-Armenian singer, songwriter and actor, Charles Aznavour, from zero to fame.Read More »