In the underground coal mines, Nam and Viet, young miners, face danger and darkness. One prepares to leave for a new life, but they must find Nam’s father’s remains, a soldier lost in a faraway forest, retracing the past through memories.Read More »

The screenplay (Der Müll, die Stadt und der Tod) by Rainer Werner Fassbinder inspired a theatre production by Dusan David Parízek. The screenplay and the production in turn inspired the film ODPAD MESTO SMRT (Waste, City, and Death) by Jan Hrebejk. Romi (Gabriela Mícová), a prostitute, is anything but successful at her job: she is of far too gentle a nature for her clients. The more obstinately she is pushed to the streets by her pimp Franz (Stanislav Majer), the closer she is to a complete breakdown. One day Romi is addressed by a property speculator referring to himself as a “wealthy Jew” (Martin Finger). He does not demand any sexual services of her. Read More »

Synopsis:
Cai, a housewife who seems to have lost track of who she is and who she wants to be. During her daughter’s basketball matches, she hurts an elderly woman. This event turns out to be a catalyst for a life that is spinning out of control.Read More »

She was the archetypal silent film heroine — the delicate damsel in distress, fainting on an ice floe, cowering before a brutal bounder, languishing in a garret. She has been called “the first lady of the silent screen,” and film director D.W. Griffith extolled her “exquisite, ethereal beauty.” She was Lillian Gish, the star of movies, television, radio, and the stage for nearly all of the 20th century.Read More »

uote:
A film about a connection between love and death, which is different from ‘Till death do us part’: If love for each other is more important than life, then the common, voluntary death is a possibility to preserve this love. And if life dies inexorably, then death is an attempt to preserve life. A film about an amour fou between a young doctor and a former teacher. She, daughter of German Jews who emigrated to France, returns to Germany one day: she escapes from her external reality (life in France) into an internal past (the memory of her childhood). The locations of this ‘love and death film’: the Rhine, where it is not romantic, but productive: dirty banks, chemical factories, nuclear power plants and hopeless sadness. Shabby hotel rooms in crummy dosshouses; the view of industrial suburbs where one can only die, but not live. A film of a desolate beauty.Read More »

France, 1942. During the Nazi Occupation, the Ardennes falls in the “forbidden zone” between the German Occupied North and the Vichy governed South. Its inhabitants face starvation as movement of people and supplies into the area are strictly controlled. To save his family, Clovis risks his life crossing the boundary to get hold of potatoes which he intends to plant in a patch of unused land. Knowing that his family’s survival depends on the success of his scheme, Clovis becomes increasingly obsessed with his crop of potatoes…Read More »

Follows the journey of Natalie “Honey Bee” Sorensen, an underage truck stop prostitute trapped in a human trafficking ring until she is transplanted into foster care in remote Northern Ontario and forced to confront her identity.Read More »

Slashing Through Review:

Movie: Afterman 2
By: Orlok666
Date: June 8, 2012
Born to be cult

Absurd. That is the word that springs to mind when watching the Belgian no-budget film “Afterman 2”. In the opening scene a man tries to make a call but is ratted out by a woman. So when the car arrives of the authorities a couple of muslims get out and arrest the man. Then their commander gets out -a male dressed as a SS officer- executing the woman and having the hand of the man cut off. And all that happening in the year 2012, Belgium. If that had your head spinning, read on because it gets a lot more absurd.Read More »

Quote:
A film that uses animation as a tool to spastify the various stages of cinema development. It is a play with form and juggling of genres, with Zbigniew Rybczynski collaborating. The theme of this work can be considered the transience and inevitability of fate, which is symbolized by a painting hung on the wall showing hunters in a boat. Generations of a certain family meet in the living room, up to the then present day, the mid-1970s.Read More »