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Joel and Ethan Coen’s Fargo is a refreshingly original and complexly taut film that operates on a multifaceted level that is, all at once: compelling, macabre, funny, tragic, and even romantic. From the opening sequence of a car navigating agilely through an endless snow covered road with a car in tow, the Coen brothers deftly craft a highly engaging and comically sinister contemporary masterpiece. Jerry Lundegaard (William H. Macy), a Minneapolis car salesman, arranges to meet with two petty criminals in a Fargo bar, Carl Showalter (Steve Buscemi) and Gaear Grimsrud (Peter Stormare).Read More »

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Like that famous saying, Tan Chui Mui speaks softly, but she carries a big stick. Her films are quiet little affairs, but boy, do they pack an emotional wallop. She has a knack for easing you into a situation, and getting you deeply involved with her characters. I liken it to Nabokov, who can say a thousand things in one sentence. Tan can create such emotional push-and-pull between her characters without them saying much. It’s all in the doing, not the uttering. Show, not tell. And she does it beautifully.Read More »

Yun Fei, a young poet, seeks the advice of an old university friend who lives in the Beijing suburbs, discovering that his friend has gone into business breeding black chickens. Discouraged about his future as a poet, Yun Fei starts a relationship with a colorblind young girl who encourages him to persevere. But even this new relationship is not enough to inspire him to write. It’s at this point that he buys a pirated record whose magical powers bring him the success he’s longed for. However, sudden fame does not seem to solve everything. The first film of Beijing theatre director Meng Jing Hui, Chicken Poets is an insightful and poetic look at materialism and the younger generation in China.Read More »

An extraordinary journey through the material that makes up our habitat: concrete and its ancestor, stone. Victor Kossakovsky raises a fundamental question: how do we inhabit the world of tomorrow ?Read More »

For his latest film, Yoshida turned once more to melodrama as a means of sensitively engaging a difficult political issue, here the devastating legacy of the Hiroshima bombing. Mariko Okada stars, in her 154th film, as the eldest of three women trying to uncover the hidden family ties that may or may not bind them together. A shared memory of the Hiroshima disaster draws the three generations together in a search back to the very site of the atomic trauma that unites them, with Hiroshima standing in as a figure for the limit point of the national imagination. Among Yoshida’s more classical films, Women in the Mirror is an assuredly stylish late work that carefully balances the three women’s stories as interlocking pieces of a complex psychological and historiographic puzzle.Read More »

A true animated film about invented islands. About an imaginary, linguistic, political territory. About a real or dreamed country, or something in between.Read More »

A film that tells the story of American performer Loie Fuller, a pioneer of dance, stage lighting and design.Read More »

Chloe, a young woman, is going on holidays. She entrusts her beloved cat to Madame Renée’s care. But one day Madame Renée (an old lady of the neighborhood) can not find the cat. Chloe starts searching the neighborhood… This is the pretext for the exploration of a quarter of Paris and his inhabitants.Read More »

PLOT:
Starring in this bustling summer comedy are Vittorio Gassman (an army captain terrified of falling in love with Gigi, a cabaret transvestite who instead turns out to be a charming girl), Amedeo Nazzari (icon of masculine beauty of our cinema of the 40’s, which lends himself to the irony of this film going into the shoes of a fashion wearer a bit too over the years, trying to win back his girlfriend, and boss, making her jealous by bragging a relationship with a girl, Foschina, much younger than him), Philippe Leroy (nonchalant young Tuscan who teaches swimming to beautiful foreign girls and meanwhile “plays” at being a small entrepreneur in the field of advertising, causing instead lots of trouble and involving poor Luigi into them) and Sandra Milo (buxom and “generous” hot donuts vendor, who ends up taking care of an ill-fated Spanish cyclist, played by Vittorio Congia).Read More »