An honest exploration of one Pennsylvania factory worker’s mundane existence, and his pursuit of a love long lost.Read More »

Half-Indian girl brought up in a wealthy household is loved by the son of the house against his family’s wishes and loves another Indian employed by the household.Read More »

Through her child’s eyes, Patpro will go through three periods of the history of her indigenous people, in the heart of the Brazilian forest.Read More »

A man, a woman, an afternoon, a city, and an unspoken, hopeful desire to find love by way of the personal ads.Read More »

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The difficulties of a young married couple, whose husband has to prepare for his examinations during the pregnancy of his wife.Read More »

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Not only the first Norwegian noir but the first Norwegian film directed by a woman, Edith Carlmar’s dark, simmering psychological drama centers on the torrid relationship that develops between a hunky young mechanic (Claus Wiese) and an older, wealthy socialite (sensational femme fatale Bjørg Riiser-Larsen), who leaves her husband to be with him. As their lusty affair turns destructive, jealousy and imbalances of class and power send them spiraling toward tragedy.Read More »

Once upon a time there was the tree – very tall, proud and strong. It was doing neither good nor harm. This tree was kept aloof from everyone and everything. Once the tree encounters the cat. His presence changes everything.Read More »

The Iranian family man Javad is kidnapped by a descendant of Dracula, whose wife has forced him to give up drinking human blood. They become friends, but things go disastrously awry when Javad tries to lessen the vampire’s cravings through the use of drugs.

Starring: Levon Haftvan, Jaleh Sameti, Siamak Ansari, Vishka Asayesh & Reza Attaran.Read More »

This key work of the late 1970s is a unique attempt to combine contemporary debates around formalism, feminism and psychoanalysis in film. Implicitly engaged in a critical dialogue with filmmakers like Yvonne Rainer and Jean-Luc Godard , as well as the theorists of ‘Screen’ magazine, Sigmund Freud’s Dora is a milestone in the evolution of structuralist film strategies into broader questions of representation. Read More »