Explores the Church of Satan, a 50-year-old religion celebrating individualism and carnal desires. It offers a glimpse into modern Satanists’ daily lives and rituals, showcasing their devotion to Satan as a symbolic figure.Read More »

A celebration of Argentine Gauchos, a community of cowboys and cowgirls living beyond the modern world’s boundaries.Read More »

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The “machine that kills bad people” turns out to be Cocteau’s death camera, freeze-frame and all, to Roberto Rossellini it’s “a comedy, my friends.” The distance between neorealism and surrealism is a short one, the seaside village displays wartime scars but not before it is erected as a cutout diorama by the big hand in the sky (cf. Lubitsch’s The Doll). The wizened wanderer who’s run over on the road is later seen at the religious procession, grinning at the fireworks; the shabby photographer (Gennaro Pisano) welcomes him into his shop and is rewarded with the power to petrify anyone to death with the click of a shutter. (The first to go is the bully, buried with his arm frozen in fascist salute.) Read More »

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To celebrate Lukas’ victory at the martial arts tournament and Tomas’ birthday party, their wife’s Juste and Ernesta organize a weekend at the summer house with a families. It was suppose to be a quiet weekend at countryside.Read More »

A Paris food delivery cyclist and asylum seeker named Souleymane has two days to prepare his story for a make-or-break interview to secure legal residency.Read More »

On an empty road in the middle of the night, Shula stumbles across the body of her uncle. As funeral proceedings begin around them, she and her cousins bring to light the buried secrets of their middle-class Zambian family.

Dark secrets of a middle-class Zambian family start unraveling as an uncle is found dead on the side of the road in this outstanding drama found on many Best of Cannes lists this year.Read More »

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A young mother drifts from one motel to the next with her intoxicating boyfriend and her 8-year-old son. The makeshift family scrapes by, living one hustle at a time, until the discovery of a mobile home community offers an alternative life.Read More »

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In the “Oasis” in Tangier, the emissaries of the oil sheiks meet and, in addition to the “white skin”, also trade other goods such as weapons and drugs.Read More »

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Giallo a Venezia, also known as Giallo In Venice, has a reputation for being one of the sleaziest films produced in an already sleazy sub genre. Giallos, for the uninitiated, are Italian horror films known for their extreme violence punctuated by scenes of explicit sex; they heavily influenced the American slasher films of the late 70s and early 80s, but, for the most part, American horrors paled in comparison to their Italian counterparts.Read More »