Olga and Ruth become friends. Olga is independent, separated from her husband, living with an immigrant pianist… Read More »

Sisters Maria and Anna live together. Maria is a most proficient executive secretary, encouraging Anna to finish her studies and start a career…Read More »

L’Amour, L’Argent, L’Amour (2000) was a hit in Germany this year, with the press praising everything from the actors to the director and plot. The titles were initially alluring, red and intercut with time-lapse firework flashes of a city on New Year’s Eve. Helped by a restless camera, the viewer soon realises that it isn’t going to be a “sit down and relax” type of experience.

David, an unemployed scrap metal wimp with his arm in plaster (Florian Stetter) and Marie, an impish, cutsie prostitute, (Sabine Timoteo) meet and spontaneously decide to leave town together. Normally couples elope romantically into the sunset or run adventurously away together, but Philip Groening’s L’Amour, L’Argent, L’Amour (2000) this couple drive off into the snowy, bleak landscape. Copious shots of roads at night ensue (for this is a “road movie”).Read More »

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The House was reviewed a little less favorably than Bartas’ earlier films (regular cinemagoers having given up long ago), but personally I found it his most beautiful film yet.

Bartas does tend to repeat himself, it’s true. Reviewers love his grim shadowscapes, shot in B/W, of anonymous, more or less lonely, drunk or disheveled men and women stumbling through a haze of cold forests, smoky houses and city wastelands in seemingly arbitrarily fashion – but even they get, I assume, weary of it.

(Contrary to what you might think based on the above, there is nothing gothic about Bartas’ depressed realities; and he himself insists, whenever somebody dares suggest a socio-political interpretation, there’s nothing Soviet about it either. It’s existential. No matter, to me his ‘The Corridor’ still serves as a brilliant visual summary of the comfortless, hopeless human condition of the former Soviet Union).
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This film is an experiment. One dialogue, three filmmakers, three stories. Jerzy Skolimowski (Polish), Peter Solan (Slovak), and Zbynek Brynych (Czech) created their variations of the same conversation. Focusing on couples in their twenties, forties, and sixties, these three inventive sketches illustrate the emotional interaction between a man and a woman.Read More »

A young convict gets a few days off after a suicide attempt, so that he may regain his strength. He heads back to places closely linked to his youth, during which he gets acquainted with a lonely village teacher…. This film with the lead star Petr Čepek could not be shown in cinemas before the revolution due to the participation of Kristýna Hanzalové, the Czechoslovak Miss of 1969, who emigrated before the film’s premier. (official distributor’s text)Read More »

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This comedy has everyone’s favorite 6 Swedish gals enjoying their stay in the alps. When the girls aren’t enjoying the pleasure of their own company they’re out having a good time with nearly everyone else in town.Read More »

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This title has been extremely rare worldwide and is one of the most highly sought movies!

After a woman has been found by the police she desperately tells her story of being kidnapped, drugged and tortured by Princess Arminda (Lina Romay). For years the police have been trying to shut down Arminda’s sex palace called The Pagoda, but have been unable to get close enough due to her having friends in high places. Now they have found the woman who will help put Arminda away for years.

Another rare Jess Franco’s title on dvd presented in its Uncut Anamorphic Widescreen Version with English subtitles, you cannot go wrong with this rare title!

Pamela Stanford has a habit of going to bars, picking up men, taking them home & having them fuck her sister Karine Gambier, who she keeps chained & locked up in a cage. On the next day, the men invariably wake up in their cars, not knowing if the whole thing was real at all, & Gambier is told by her sister it didn’t happen at all.Read More »

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Written in 1931, H. P. Lovecraft’s iconic genre-bending tale of suspense and alien terrors is brought to life in the style of classic horror films of the early 1930s like Dracula, Frankenstein, and King Kong. Using its Mythoscope process ~ a mix of modern and vintage techniques ~ the H. P. Lovecraft Historical Society expands on Lovecraft’s original tale while still bringing you unparalleled authenticity.Read More »