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Czech surrealist filmmaker Jan Svankmajer, who gained a reputation for his short subjects, makes his feature-film debut with Neco z Alenky, a grotesque look into the darkest, wildest recesses of a child’s mind. A surreal adaptation of Lewis Carroll’s children’s classic Alice in Wonderland, the film stars Kristyna Kohoutov? as Alice, the only human character in the film. The other roles, which are voiced by Alice, are filled by an odd menagerie of animated clay, puppets, and meat. After falling asleep beside a stream, Alice follows a stuffed rabbit into a magical world where she encounters several grotesque-looking characters, including a caterpillar and The Mad Hatter. Also released under the title Alice, Neco Z Alenky was nominated for the International Fantasy Film Award at the 1989 Fantasporto Film Festival.Read More »

Put together a subversive filmmaker like Ulrich Seidl with the subject of religious fanaticism and you’re bound to get something provocative. But Paradise: Faith, the second part of the Austrian director’s trilogy about three women from the same family on different quests, is possibly more interesting to think about and discuss afterwards than to sit through. Depending how you look at it, there’s a pitch-black comedy buried in here or a redeeming shred of empathy at the tail end of two grueling hours. Either way, it’s strictly for the faithful.Read More »

Seven Men from Now is a 1956 Western film directed by Budd Boetticher and starring Randolph Scott, Gail Russell, and Lee Marvin. The film was written by Burt Kennedy and produced by John Wayne’s Batjac Productions.

Praised by the pioneering French critic Andre Bazin as “one of the most intelligent westerns I know but also the least intellectual,” this 1956 feature by the underrated Budd Boetticher stresses action over dialogue while constructing a subtle moral allegory. Randolph Scott plays an ex-sheriff trailing the seven men who murdered his wife in a robbery; along the way he picks up a bumbling couple en route to California and an outlaw (Lee Marvin, whose appealing swagger contrasts with Scott’s laconic certitude). Boetticher uses the landscape not as a metaphor for wildness but as a starkly neutral ground on which his characters play out their shifting positions, which suggests that each individual is responsible for his or her own choices. The taut opening is stunning: the protagonist strides into a tightly framed patch of ground from behind the camera, initiating his attempts to both traverse and dominate space, and the ensuing gunfire offscreen accompanies images of the horses he’ll take from the men he’s killing, a beautiful elision that emphasizes destiny over violence. This recently restored 35-millimeter print has mostly excellent color. 78 min. By Fred CamperRead More »

In 1993, a group of students and teachers from a Welsh secondary school visit St Petersburg to learn about Russian art, and to discover themselves in the process. Communication difficulties lead to the students and teachers becoming separated before they reach St Petersburg. Made by S4C in 1993, this was the first time that a Western crew filmed in Russia after the breakup of the Soviet Union.

From IMDB: Seven teenagers and three teachers from a Welsh school visit Russia in a bid to rediscover themselves. On the overnight sleeper service to St Petersburg the students get separated from the teachers, which allows the students ample scope for rediscovery.Read More »

“A twenty-something generation that doesn’t know what it wants is laid bare with droll accuracy but also a dose of sympathy in this slow-burning romantic dramedy by young Romanian director Paul Negoescu. Following on in the new-wave Romanian tradition of stories that pan out in less than 24 hours, A Month In Thailand charts the indecisions of a young man on New Year’s Eve as he dithers between his current girlfriend and the one he ditched months before.” – Lee Marshall, Screen DailyRead More »

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Diego (Cirilo Recio) is a cross-eyed, middle-aged man who works as a doorman in a government building and spends the day counting the persons who pass in front of him. His younger wife Blanca (Laura Saldaña) works in a fast-food sushi bar. They do not have much to say to each other after a hard day’s work and so they wile away the hours watching televison. They do have an active sex life with Blanca usually leading the way. One day he arrives home to find her waiting for him nude on the floor with her legs spread wide open.

But the downside of their marriage is her jealousy. When a co-worker’s son is kidnapped, Diego walks her home and embraces her in kindness. Blanca finds out about this gesture and explodes in anger. Her apologies usually consist of sexual favors.

When Karina (Claudia Orozco), Diego’s daughter from a previous relationship, shows up and wants to stay with them, Blanca refuses and he is forced to set her up in a hotel room. She is trying to end a relationship with an addict who has gotten her into drugs. Karina’s inability to deal with the real world puts an incredible amount of pressure on her father in the mysterious last sequence of the film which takes place at a gigantic rubbish dump outside the city.Read More »

Bosley Crowther, NY Times, January 6, 1959 wrote:
Also on the bill at the theatre is a whimsical and amusing three-reel film, entitled “The Boy Who Saw Through,” about a lad who can see through walls. The ability is implied to be symbolic of a child’s tendency toward candor and truth. It is based on a story by John Pudney and produced by Mary Ellen Bute.Read More »

(From Wikipedia)
Mary Ellen Bute (November 21, 1906 – October 17, 1983) was a pioneer film animator who did much of her work in visual music. She was one of the first female experimental filmmakers in the U.S. From 1934 until 1953, she made 14 short, musical abstract films, working in New York. Many of these were seen in regular U.S. movie theaters, such as Radio City Music Hall, often before a prestigious film. Several of her films were also called “Seeing Sound” films.Read More »

SYNOPSIS/PLOT: A man and a woman seeking refuge from the world: Nihat at a remote forest fire tower, Seher in her room at a rural bus station. When their lives collide, each now has to fight their battle of conscience before the other. Read More »