• Alex Ross Perry – Impolex (2009)

    2001-2010AdventureAlex Ross PerryComedyUSA

    29f7c043f76a2bde437fd0d52a185152

    Impolex tells the story of Tyrone S., a United States soldier in Operation Paperclip, the mission to locate and retrieve German rockets and rocket science after the end of World War II. Tyrone is tasked with finding what he believes are the last V-2’s. Lost in the woods of an undefined European country, people from Tyrone’s past begin to appear in unusual ways, bearing strange tidings. A loved one he abandoned for the war is especially prominent in Tyrone’s journey, as is a fellow soldier and a mysterious man with tidings of the present and the future that are not yet known to Tyrone. Impolex is an unjustifiable blend of the bare bones realism of John Ford’s WWII documentaries and the glorious stupidity of Abbot and Costello.
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  • Paul Schrader – The Canyons (2013)

    2011-2020DramaPaul SchraderThrillerUSA

    Free Image Hosting at www.ImageShack.us

    29f7c043f76a2bde437fd0d52a185152

    Quote:
    The Canyons is a 2013 American erotic thriller film directed by Paul Schrader, written by Bret Easton Ellis, and produced by Braxton Pope. The film is set in Los Angeles and stars Lindsay Lohan, James Deen, Nolan Gerard Funk, Amanda Brooks, Tenille Houston, and Gus Van Sant. The plot focuses on youth, glamour, sex, and surveillance.
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  • Angus Gibson & Jo Menell – Mandela (1996)

    1991-2000Angus Gibson and Jo MenellDocumentarySouth Africa

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    IMDB user comment:
    Excellent, well-produced documentary

    This is one of the better historical documentaries that I have seen in awhile covering any subject. Producing a documentary on Nelson Mandela is a rather formidable undertaking, and I believe that the filmmakers prove to be up to the task. The film portrays Mandela not as a saint, but as a human being — yes sometimes egotistical, but steadfast throughout his struggle. One of the most memorable parts of the film (edited marvelously) for me was the section describing the Sharpeville massacre (including actual footage) and how this event was key in turning Mandela from non-violence to armed struggle. Also powerful is the coverage of Mandela’s first trial on treason. Not only is footage woven in with interviews of key colleagues of Mandela, but one can see from the interview subjects that the fight against apartheid in South Africa was not merely a black versus white struggle. The struggle, in fact, encompassed a number of different ethnicities — even Afrikkaners.
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  • Marek Nowicki & Jerzy Stawicki – Profesor Zazul (1962)

    1961-1970Jerzy StawickiMarek NowickiPolandSci-FiShort Film

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    Profesor Zazul is a short Polish film, made for TV in 1965, and based on a Stanislaw Lem story. Ijon Tichy is driving in the country when he is forced to take refuge in a creepy house. Inside is the laboratory of Professor Zazul, where he finds something disturbing.Read More »

  • Lorraine Lévy – Le fils de l’autre aka The Other Son (2012)

    2011-2020DramaFranceLorraine Lévy

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    synopsis

    An easygoing Israeli teen (Jules Sitruk) learns that he was accidentally switched at birth with a Palestinian boy (Mehdi Dehbi) in the chaos of a hospital bombing, giving them both unique insight into the ongoing conflict in the Middle East as their headstrong families struggle with the startling revelation.
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  • Uwe Schrader – Sierra Leone (1987)

    1981-1990DramaGermanyUwe Schrader

    29f7c043f76a2bde437fd0d52a185152

    Quote:
    After spending three years doing field installation work in West Africa, Fred returns home to his old neighbourhood, an industrial region on the outskirts of a major city. He is filled with confidence and optimism for a new start. He has brought home with him a pile of money that he made in Africa. But he never wrote to his wife Rita. He only wired her a money transfer every month. In the meantime, Rita has a new life that she now shares with a GI. Fred rents a room in the “Royal”, a sleazy hotel. There, he meets Alma, who takes care of the rooms and the guests and who is being kept by her sugar daddy – the aging hotel director. A passionate encounter with his old girlfriend Vera, who had high hopes for the two of them at some earlier time, dissipates into a brief carnal episode. For the old work buddies in the steel mill, Fred’s return is just an excuse to get drunk one night. Only Alma, the girl from the “Royal”, shows interest in Fred. For her, he personifies a bit of yearning, faraway places and the chance to get herself out of her little rat-hole. Together they set out on a journey, wandering aimlessly through Germany. . .
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  • Uwe Schrader – Kanakerbraut (1984)

    1981-1990ArthouseGermanyUwe Schrader

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    Here’s the debut feature film by director Uwe Schrader, who’s still a well-kept secret of german cinema. I first read about him in the most recent issue of Cargo. His realistic “Milieu” films recall the works of Klaus Lemke, Roland Klick or the austro-canadian filmmaker John Cook. Kanakerbraut is only one hour long, and it is about the dull life of Paul (Peter Franke) and his encounters with similar characters in Berlin Kreuzberg.Read More »

  • Uwe Schrader – Mau Mau (1992)

    1991-2000ArthouseComedyGermanyUwe Schrader

    29f7c043f76a2bde437fd0d52a185152

    Here’s the final film of Uwe Schrader’s proletarian trilogy, following White Trash AKA Kanakerbraut [Germany] and Sierra Leone [Germany] . Without a straight narrative, a couple of stories revolve around the last days of a stripclub called ‘Mau Mau’.

    MAU MAU is located right in the middle of the red light district. When night falls on the city, the joint starts jumping in MAU MAU. Stripping, pimping, ripping off and grifting are the order of the day. Sometimes it’s all very agreeable and sometimes all hell breaks loose. Celebrations and snivelling go hand in hand here. In this world of the marooned, the stumbling and those who have gotten back on their feet, the film traces the lifelines of Inge and Heinz, of Rosa and Doris and of Ferdi and Ali on their search for love, happiness and life. “If I had the choice of filming in heaven or hell,” says Uwe Schrader, “then I’d choose hell”.Read More »

  • Hellmuth Costard – Besonders wertvoll (1968)

    1961-1970Amos Vogel: Film as a Subversive ArtExperimentalGermanyHellmuth CostardShort Film

    Quote:
    Pornography in the service of politics. An outrageous provocation, this attack on reactionary German legislation discriminating against young film directors, features head-on, close-up shots of a penis ‘mouthing’ the parliamentary defense of the law by its author. This is followed by masturbation of the organ by an anonymous female hand, ending with ejaculation into the camera and a close-up of a nude behind ‘blowing’ out a candle (with appropriate sound). A landmark in political pamphleteering, the film was selected for the 1968 Oberhausen International Short Film Festival by a committee of leading German critics, and promptly banned by the (social-democratic!) city government, causing the withdrawal of almost all German directors from the festival and a national scandal. The title satirically refers to the official certificate of ‘Particularly Valuable’ given each year to the best film shorts by an Establishment selection committee.Read More »

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