Quote:
Premiered at Toronto Film Festival, UFO In Her Eyes is a cinematic adaptation of her most recent novel of the same title. The film stars Shi Ke and Udo Kier and is a political metaphor recounted through the phantasmagoric transformation that befalls a small Chinese village after an alleged UFO sighting. Inspired by Soviet cinema, Xiaolu Guo dedicated this film to Soy Cuba, a 1964 Soviet-Cuban film directed by Mikhail Kalatozov. The movie’s score is composed by the Somali-Canadian musician Mocky and produced by Turkish-German filmmaker Fatih Akin. It received the Public Award at Milan 3-Continental Film Festival 2013.Read More »
-
Xiaolu Guo – UFO in Her Eyes (2011)
2011-2020ArthouseDramaGermanyXiaolu Guo -
Richard Fleischer – 10 Rillington Place (1971)
1971-1980DramaRichard FleischerUnited KingdomWarLondon, 1949. John Christie is an unassuming, middle aged man who, along with his wife Ethel, manages the apartment building at 10 Rillington Place. His unassuming demeanor masks the fact of being a serial killer. His modus operandi is to act as a person with a medical background, lure unsuspecting women to his apartment on the pretense of curing them of some ailment, knock them unconscious with carbon monoxide gas, gain his sexual release through contact with the unconscious body, then strangle the victim dead before disposing of the body usually by burying it in his back yard. His next intended target is Beryl Evans, a young woman who has just moved into a flat in his building. Beryl’s husband, Tim Evans, is an illiterate man who likes to put on airs. Already with an infant daughter named Geraldine, the Evanses learn they are going to have another baby, which they cannot afford to have, nor can they afford to abort the pregnancy. This problem, on top of the constant issue of lack of…
Read More » -
Ken Kwek – Sex.Violence.FamilyValues. (2013)
2011-2020ComedyDramaKen KwekSingaporeQuote:
A kindergarten principal finds a series of morbid cartoons drawn by a docile pupil. A porn actor struggles to rise to the occasion while filming his first porno. A middle-aged nightclub bouncer faces off with a rebellious teenage stripper. Director Ken Kwek tells three iconoclastic stories in a short film that pitches political correctness out the window of Singapore mainstream cinema.Read More » -
Dimitre Osmanli – Zedj AKA Thirst (1971)
1971-1980Dimitre OsmanliDramaMacedoniaYugoslavian Cinema under TitoThe inhabitants of a small village in a backward area of Macedonia earn their living by sending their men abroad in search of employment. Three young girls, named Elica, Maria and Nikolina live and work as schoolteachers in the village. Each of them try to make sense of their lives, in that situation where it is imposed on them. In the village the greatest problem is the supply of water. Spring water is carried by Marko from the distant mountains Marko is falls in love with the poor girl Kate. The monotonous peasant life is dispelled with the arrival of a group of mining engineers who come to do some research. The one engineer, named Victor is among them and he attracts the schoolteacher Maria’s attention. The return of Trendafil the old man working abroad, Kate’s uncle, is a special event in the village’s life. The destiny of a great number of the inhabitants depends on the wealth of the uncle returned from America. However there is no place for faith and hope as the uncle returns with no earnings at all.Read More »
-
Jan Svankmajer – Hugh Cornwell: Another Kind of Love (1988)
1981-1990AnimationCzech RepublicJan SvankmajerShort Film -
Jan Svankmajer – Dimensions of Dialogue (1983)
1981-1990AnimationCzech RepublicJan SvankmajerShort FilmA three-part depiction of various forms of communication. ‘Factual Discussion’ depicts three heads (made up of fruit, kitchen utensils and writing implements respectively) endlessly devouring and regurgitating each other. ‘Passionate Discourse’ shows two clay figures romantically intertwined, and the problems with dealing with the end product of their passion, while ‘Exhaustive Discussion’ shows two animated heads playing a bizarre variant of the old scissors-paper-stone game.Read More »
-
Hilton Lacerda – Tatuagem AKA Tatoo (2013)
2011-2020ArthouseBrazilDramaHilton LacerdaHilton Lacerda’s film debut is a lively take on the conflict between the straight establishment and the gay avant garde in late ’70s Brazil, and won a clutch of awards at the recent Rio festival.
The spirit of Fassbinder lives on in Hilton Lacerda’s Tattoo, at once an homage to the anarchist theater scene in late 1970s Brazil, a portrait of a society on the edge of change, and a punchy critique of Latin American homophobia. As drama, Tattoo tells an often-told story, but it does achieve a distinctive air of controlled chaos, managing to be both bouncy and thought-provoking in an unsubtle kind of way. Having picked up several awards in Rio, Tattoo should go on to leave its mark at festivals where the gay and the political meet. Its five Rio awards included best actor and best supporting actor.Read More »
-
Ghannam Ghannam – Fatayat Haerat AKA Bewildered Girls (1981)
1981-1990CultExploitationGhannam GhannamSyriaSome university students change their views on sex after hearing a lecture on the blind Syrian philosopher Al-Maarri. He gets his way with one of them after sneaking what I imagine is rufees into one of their drinks which has disastrous consequences. After going to some wild bellydancing parties they are ensnared by a polyester-clad drug-dealer and womanizer/rapist. The victims’ friends plan to avenge her with the help of the local police. Includes numerous musical numbers and belly dancing scenes.
Read More » -
Robert Altman – That Cold Day in the Park (1969)
1961-1970DramaRobert AltmanUSA

Quote:
Out of the rain, and into the mausoleum — not the main characters, but Robert Altman, who, with this forbidding meditation on the Gothic thriller, slammed the Hollywood door shut in favor of art-house barricading. An early stirring of the budding American Renaissance, the picture is a conscious new beginning after the previous year’s botched studio experience with Countdown, and, as befits Altman’s expanding awareness of his own maverickdom, the focus of Richard Miles’ novel is moved from interior first-person to an outsider’s fragmented observation of disintegrating psyches. No Repulsion subjectivity here, only a clinically searching camera watching pinched, thirtyish bourgeois Sandy Dennis shanghaing hippie youth Michael Burns from the park bench and into her Vancouver home.Read More »







