REVIEW
Film festivals are by their nature notoriously cut off, isolated in such a manner they rarely function as the best place to fully appreciate or accurately evaluate the merit of new works. Laurent Cantet’s astonishing “L’emploi du temps” (“Time Out”) suffers from no such equivocation. It is a masterpiece, the best film shown in this strong festival.
Cantet’s debut feature “Human Resources,” distributed in the U.S. through the Shooting Gallery Film Series, was a marvel of political urgency, social verisimilitude and human conflict. Outlined with some of the same Oedipal struggles of that film, “Time Out” is a perfectly made, emotionally piercing and artistically accomplished examination of the desperation and despair of an essentially good and caring man driven to craven, absurd acts of self-delusion. With echoes of Michelangelo Antonioni’s “The Passenger,” the movie presents a terrifying and gripping portrait of a man so alarmed at what he has become that he invents an idealized portrait to cover up his faults and limitations.Read More »








