• Jae-ho Park – Summertime (2001)

    2001-2010AsianDramaJae-ho ParkSouth Korea
    summertime (2001)

    In the 1980s, Sang-ho, a student activist in a rural village, witnesses a married couple having sex. He becomes bolder and imitates the husband’s foreplay, leading to a sexual encounter with the wife.Read More »

  • Tadashi Imai – Nigorie AKA An Inlet of Muddy Water (1953)

    1951-1960ArthouseDramaJapanTadashi Imai

    Quote:
    A three part-film based on short stories about the difficult lot of women in the early Meiji era. This is the film that swept almost all the Japanese awards for the year of Tokyo Story and Ugetsu (among others great films) — and lost to the fairly inconsequential Gate of Hell at the Cannes Festival. Imai and Kinoshita (and not Ozu, Naruse or Mizoguchi) were the most popular (and critically acclaimed) directors of the Japanese Golden Age of the 50s. While I find the contemporaneous adulation for Kinoshita beyond my understanding, I have found the few Imai films I’ve seen fairly impressive. And this is no exception.Read More »

  • Anirban Dutta & Anupama Srinivasan – Nocturnes (2024)

    2021-2030Anirban DuttaAnupama SrinivasanDocumentaryIndia

    In the dense forests of the Eastern Himalayas, moths are whispering something to us. In the dark of night, two curious observers shine a light on this secret universe. Together, they are on an expedition to decode these nocturnal creatures in a remote ecological “hot spot” on the border of India and Bhutan. The result is a deeply immersive film that transports audiences to a rarely-seen place and urges us all to look more closely at the hidden interconnections of the natural world.Read More »

  • Ashim Ahluwalia – Miss Lovely (2012)

    2011-2020Ashim AhluwaliaCrimeDramaIndia

    Quote:
    “It’s never going to be easy for people like us,” squirms Vicky Duggal (Anil George), Mumbai’s foremost specialist in smut cinema. The degenerate auteur lectures his meek younger brother, Sonu (Nawazuddin Siddiqui), about the realities of their trade, specifically the stranglehold wielded by low-level distribution companies in bed with organized crime syndicates. This “woe is me” attitude, of it being hard out there for a pimp, remains prominent throughout Ashim Ahluwalia’s Miss Lovely, an anti-climactic and emotionally trite 1980s-set tragedy following the rise and fall of the Duggal brothers within the local softcore industry.Read More »

  • Jeong-hyang Lee – Misulgwan yup dongmulwon AKA Art Museum by the Zoo (1998)

    1991-2000ComedyJeong-hyang LeeRomanceSouth Korea
    Misulgwan yup dongmulwon (1998)

    On leave from the military, Cheol-soo arrives at his girlfriend’s apartment only to find it occupied by another woman, Choon-hee. After a few days he finds out that his girlfriend is now engaged to someone else, and having nowhere else to go he ends up staying with Choon-hee. At first the two struggle to get along, but before long Chul-soo discovers that she is writing a screenplay to enter into a competition, and they end up working on a story together based on their own experiences of love, titling it “Art Museum by the Zoo.”
    ~ wikipedia.orgRead More »

  • Pilar Miró – “Estudio 1” Séneca (1971)

    1971-1980DramaPhilosophyPilar MiróSpain

    A Spanish television production made for the Estudio 1 anthology series.Read More »

  • Joyce Wieland – Peggy’s Blue Skylight (1964)

    1961-1970CanadaExperimentalJoyce Wieland

    Quote:
    Filmed in Joyce Wieland and Michael Snow’s loft in New York, the film covers a day of friends visiting, writing and drawing from noon of one day to dawn the next day.Read More »

  • Cho-Sin Jung – Jakarta (2000)

    1991-2000Cho-Sin JungComedyCrimeSouth Korea

    Quote:
    A heist movie about three groups of thieves who independently plan to rob the same bank on the same day, which causes no end of pandemonium and confusion, or does it?Read More »

  • Jacques Demy – Peau d’âne AKA Donkey Skin (1970)

    1961-1970FantasyFranceJacques Demy

    Quote:
    Donkey Skin takes its story from the fairy tale of the same name, as told by 17th-century French writer Charles Perrault. A variant of Cinderella, the tale begins with a king (Jean Marais), who is well-loved and very happy, as he has a beautiful wife (Catherine Deneuve) and a beautiful daughter (Deneuve again), not to mention a literal moneymaker in a donkey that doesn’t excrete the usual fertilizer, but instead gold and jewels. The king’s fortunes take a turn for the worse when he loses his wife to a sudden illness. Before she dies, he makes the unwise promise to only marry a woman more beautiful than she. When the king’s ministers force him to undertake another marriage to produce a male heir, the only woman who surpasses the dead queen in beauty is…his daughter. Being that this is a fairy tale, things work a bit differently, and the usual opposition to incest is brushed over fairly easily. The most amusing bit comes when the king asks his wise man whether the marriage would be wrong, and the wise man responds that all little girls want to marry their father, and that if the wise man had a daughter, he’d want to marry her. So there!Read More »

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