One on One: After a high school student is murdered, the seven suspects are hunted down by members of a terrorist organization.Read More »

This is the “Bonus Disc Extras” of Memento Films’ BD release of “Winter Sleep”.
Bonus Disc Extras includes:
Behind the Scenes (2:18:56) in Turkish with French soft-subs.
Winter Sleep at Cannes (0:10:35) in French & English
Trailer (00:01:40) (no subs) Read More »

Synopsis

A story about a chance encounter that momentarily destroyed a successful and happy family life. All of a sudden the woman found passion and desire more important than her loving husband and cherished child. The father and son suffer from the realization that they are no longer needed, but try to understand and forgive. The woman, who failed to become happy, is in turmoil.Read More »

Plot Synopsis

Quote:
Winner of the Best Director prize at the 1997 Cannes Film Festival, Wong Kar-Wai’s Happy Together is a stunning display of filmmaking style and a touching story of love on the brink of dissolution. Hong Kong cinema superstars Tony Leung and Leslie Cheung play a pair of lovers living out the waning days of their relationship as expatriates in Buenos Aires. Lusty tango bars, the salsa music of the La Boca sidewalks and a hypnotic visit to the nearby Iguazu Falls give further dimension to the tensions growing between the two lovers.Read More »

Blackfella Charlie is out of sorts. The intervention is making life more difficult on his remote community, what with the proper policing of whitefella laws now. So Charlie takes off, to live the old way, but in so doing sets off a chain of events in his life that has him return to his community chastened, and somewhat the wiser.Read More »

Quote:
Love Streams is at once a culmination of the director’s obsessions and his most atypical film. It’s a movie that gives up its mysteries slowly—flirting with theatricality, inserting dream sequences, concluding on a brazenly surreal enigma. Cassavetes stars as Robert Harmon, a tough-guy novelist with unorthodox research methods. Rowlands, magnificent as ever, is Robert’s sister, Sarah Lawson, a divorcée who turns up at his doorstep with two taxis full of luggage and an entire barnyard menagerie. An emotional live wire and by default a social rebel, the embarrassingly demonstrative Sarah is kindred spirit to A Woman Under the Influence’s unhinged housewife Mabel Longhetti and Opening Night’s aging stage star Myrtle Gordon: All are women with a raw-nerved, overwhelming capacity and need for love. The enormously moving interplay between Cassavetes and Rowlands gets at the heart of the performative spectacle unique to his films: an interaction beyond words and gestures, predicated on the invention of a shared language so hyperbolic and specific and almost inexplicable it must be love. Indeed, the movie—as its title suggests—performs an anatomy of its subject. More explicitly metaphysical than the other great Cassavetes films, it nonetheless shares their view of love as a way of life and a form of madness.Read More »

Plot synopsis by Don Kaye from allmovieguide:

Das Boot is one of the most gripping and authentic war movies ever made. Based on an autobiographical novel by German World War II photographer Lothar-Guenther Buchheim, the film follows the lives of a fearless U-Boat captain (Jurgen Prochnow) and his inexperienced crew as they patrol the Atlantic and Mediterranean in search of Allied vessels, taking turns as hunter and prey. There’s very little plot, so the movie’s power comes from both its riveting, epic battle scenes and its details of the boring hours spent waiting for orders or signs of the enemy. With the exception of one staunch Hitler Youth lieutenant, none of the crew is particularly loyal to the Nazis, and some are openly hostile toward their Fuhrer; this allows viewer sympathy with the men as they perform their laborious, monotonous duties in cramped, filthy quarters, or await death as depth charges explode all around the sub. Prochnow is excellent as the nerves-of-steel commander, and many of the supporting actors — all German — are solid as well, although the characterizations border on war movie clichés (the young crewman who has left behind his pregnant girlfriend, the Chief Engineer whose wife is seriously ill). Read More »

Quote:
One of several triptychs showing in this year’s Wavelengths program, Peter Hutton’s Three Landscapes zeroes in on the industrial terrain ringing Detroit (where he grew up), the bucolic pastures of the Hudson River Valley (where he now lives), and Ethiopian salt flats (where he travelled under Robert Gardner’s sponsorship). The most obvious link between the three is labour, but the film functions less as a thesis statement than a poetic meditation, a haiku-like attempt to distill the landscape using a few sparing, echoing graphic forms. The Detroit sequence is the most immediately arresting, its subdued colour palette and precise graphic calculations of grass, clouds, sky, smoke, and industrial architecture leading to a dramatic chain of images of two men inching across a high ladder—a vision of meditative calm in struggle. Workers and clouds are combined to more expressly lyrical effect in a superimposition punctuating the Hudson River Valley sequence, a marvelous bit of photochemical guesswork (albeit one now rendered in DCP projection). If the Ethiopia sequence seems comparatively uncertain about itself, its final long take of a line of camels stilled by distance and heat closes the film with an eloquent appeal to the necessity of limits. After the screening Hutton remarked that he takes special pleasure in those landscapes in which you see clouds moving faster than the workers, a point of view that goes a long way towards restoring the link between the documentary and spiritual connotations of this word “observe.”Read More »

A man sits down to watch a football match, which seems to consist of the players being violently mutilated in various inventive ways. The players then leave the football pitch and invade the spectator’s flat…Read More »