Quote:
D’après La Question paysanne en France et en Allemagne et une lettre à karl Kautsky de Friedrich Engels et de La lutte des classes en Egyptes de 1945 à 1968 de Mahmoud Hussein.

Film en deux parties dont la première est consacrée à la France, la seconde à l’Egypte. Sur les images de la campagne bretonne est lu un texte de Hengels décrivant la misère des paysans en 1789. Pour l’Egypte, c’est un texte de l’historien Mahmoud Hussein sur la lutte des classes dans ce pays depuis Bonaparte jusqu’au règne de Sadate.Read More »

Synopsis:
In mid-nineteenth-century northern France, a coal mining town’s workers are exploited by the mine’s owner. One day, they decide to go on strike, and the authorities repress them.Read More »

A portrait of small-town oppressiveness in the Philippines, made during the Marcos government’s imposition of martial law. Lino Brocka’s 1974 film tells of two social outcasts struggling to survive the hypocritical condemnation of their fellow villagers; the tone ranges from comedy to tragedy to documentary observation of village rituals.Read More »

Quote:
American photographer Roy Stuart has carved out a most interesting niche for himself in Paris, creating elaborate erotic scenes for his two excellent books for the German publisher Taschen and the American magazine Leg Show.
In addition, Stuart captures these photoshoots on videotape for a series he calls New Glimpse. At $120 each these tapes are not cheap. But weighing in at 2.5 hours each, they are something special, marathon-length demonstrations that Stuart is a true master of the masturbatory male vignette. He has the talent and vision to take all the familiar elements and make them original and arousing.Read More »

Öllers and Niederländer have everything under control. For the past six years, the two successful business consultants have been traveling through some of the seediest countries around the world in order to satisfy their clients’ greed.Read More »

When the young would-be artist Tino arrives in Venice to live at the house of his uncle while he studies art, he soon discovers that his Austrian/Venetian uncle’s house is packed with mystery — there are abandoned rooms from which strange sounds emanate. Eventually, he is told that his uncle’s insane brother is being kept in rooms on the top floor, and only Uncle Fabio (who is seldom home) is permitted to visit them. However, youth and curiosity impel him onward to even more discoveries.Read More »

A documentary on fetish website Kink.com.Read More »

Quote:
The film accompanies Magaye Niyang, a star of Touki-Bouki, a 1972 classic directed by her own uncle Djibril Diop. Following this path, we are witness of Niyang travel to a special screening of the film, which has a public release in his old town. Niyang seems detached and with a heavy longing from the past, and therefore, the film debris permeates everything with unescapable sorrow and fascination.

Diop film is, first and foremost, a nostalgic travel through memory, time and recreation. It is also a watermark in contemporary experimental documentary, a very intimate portrait of a lost long journey through the past that isn’t returning anymore, a detachment of rejected fame, recognition and connection which is heavily grounded on a legacy that belongs to the past, and that connects directly to a country (Senegal) and its heritage, which is sometimes feel excruciating for the old ones (a testimony such as the taxi scene in the film, where the cab driver longs for changes, and claims that the old generation had done nothing for that).Read More »

Review @ sketchesofcinema
Takao Saito’s Golgo 13 comics aren’t very easy to adapt into live action features due to their international nature, but Toei went all the way with this first attempt. Junya Sato shot the film on location in Iran with mostly foreign cast. The lead role is played by the heavenly cool Ken Takakura, whose combination of charisma, black sunglasses and M16 assault rifle makes him one of the coolest asssassins in film history. Both execution and storywise the film could be better – and it would’ve been a good to opt for local languages istead of having the entire Iran speak Japanese – but with its rare international setting, superb leading man and some exciting action Golgo 13 easily ranks more interesting than Toei’s average action thrillers of the era. Due to the high expenses the studio didn’t allow Golgo 13 to return to the big screen until in 1977 in a slightly inferior Shinichi Chiba film Golgo 13: Kowloon Assignment.Read More »