• Wolfgang Liebeneiner – Liebe ’47 (1949)

    Drama1941-1950GermanyWolfgang Liebeneiner

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    from German Postwar Films: Life and Love in the Ruins by Wilfried Wilms & William Rasch

    Quote:

    (…) By the time Liebeneiner’s film appeared in theaters, the genre of the “returnee film” (Heimkehrerfilm) and the “rubble film” (Trümmerfilm) had become the stuff of ironic commentary. In Robert Stemmle’s Berliner Ballade (1948), the imaginary Berlin of 2048 is juxtaposed with “archival material from 1948” and a voiceover expresses the likely dismay of many in the audience: “not another Heimkehrerfilm!” And in Rudolf Jugert’s Film ohne Titel, a screenwriter, an actor, and a director debate what kind of film will attract audiences. If anti-Nazi films that explored questions of guilt were unpopular, they agreed, then the “rubble film” and the “returnee” film would certainly not fill movie houses. Once tragedy, these genres were now the subject of satire; their time had come and gone.Read More »

  • Eric Baudelaire – Letters to Max (2014)

    2011-2020DocumentaryEric BaudelaireFranceVideo Art

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    “Abkhazia is a paradox: it’s a country in the physical sense of the term, with borders, a government, a flag and a language, but it’s a state that doesn’t legally exist as, for almost twenty years, no other nation has recognized it. So Abkhazia exists without existing, in a liminal void, a limited space between realities. As such, my letter to Max was a bit like a bottle in the sea, a nod to Alfred Jarry and the world of Ubu Roi which Maxim seems to inhabit. Then fiction overtook reality.” Thus Eric Baudelaire launched a letter writing campaign, sending 74 letters in 74 days: a script for the voice- over of a film in which Max is the narrator. This exchange was to become the structure of the film: letters that should not have been received by Max, the recording of his replies, and footage of Abkhazia shot by Eric Baudelaire when the correspondence ceased.Read More »

  • Robert Altman – The Company (2003)

    Drama2001-2010MusicalRobert AltmanUSA

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    From wiki: The Company is composed of stories gathered from the actual dancers, choreographers, and office staff of the Joffrey Ballet. Most of the roles are played by real-life company members. While there are small subplots involving a love story between Campbell’s character and a character played by James Franco, most of the movie focuses on the company as a whole, without any real star or linear plot. The many real-life stories woven together show the dedication and hard work that dancers must put in to their art, even though they are seldom rewarded with fame, fortune, or even a statue, painting, or album on which to look back.Read More »

  • Carlo Lizzani – Esterina (1959)

    1951-1960Carlo LizzaniComedyDramaItaly

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    Plot
    Esterina, a young war orphan, joins two truck drivers, Gino and Piero, on their trips along Northern Italy. She wants to find her luck in the big city, but her dreams turn into disappointing experiences. She falls in love with Gino but he is not interested in her, until she disappears…Read More »

  • Memduh Ün – Cellat aka The Executioner (1975)

    1971-1980ExploitationMemduh ÜnThrillerTurkey

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    A peaceful architect becomes a one-man vigilante squad after his wife and sister are raped and murdered by street punks. He goes out and randomly exterminates all kinds of criminals on the mean streets after dark.

    This obscure Turkish Death Wish version easily rivals the original one in brutality and mayhem. The last surviving print was found in relatively good condition and released on dvd by Onar Films in only 500 copies.

    With Serdar Gökhan, Emel Özden, Melek Ayberk, Reha Yurdakul & Oktar Durukan.Read More »

  • Billy Wilder – Fedora (1978)

    1971-1980Billy WilderDramaFranceMystery

    An ambitious Hollywood hustler becomes involved with a reclusive female star whom he tries to lure out of retirement.Read More »

  • Carol Reed – The Third Man (1949)

    1941-1950Carol ReedFilm NoirThrillerUnited Kingdom

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    Synopsis:
    Carol Reed reached the peak of his form with this classic noir, an elegy for American innocence and European elegance. Joseph Cotten, in fine form, stars as unemployed pulp-novelist Holly Martins. When he arrives in post-WWII Vienna on the promise of a job from his old friend Harry Lime (Orson Welles), he finds that Lime has recently died in a dubious car accident. Against the advice of British sector authority Major Calloway (Trevor Howard), who accuses Lime of criminal behavior, the indignant Martins decides to stay to investigate his friend’s death. He searches this city of rubble-strewn streets and bombed-out buildings, earnestly questioning Lime’s associates, a cynical, war-weary collection of black-market hustlers. At length, he realizes that the stories he’s hearing are so full of contradiction, he’s getting nowhere. Yet, he’s entranced by Lime’s beautiful girlfriend, Anna Schmidt (Alida Valli), who, unlike the others, seems to have loved Harry.Read More »

  • Edward Yang – Mahjong aka Couples (1996)

    1991-2000ComedyCrimeEdward YangTaiwan

    Review:
    Mahjong (1996) is in many ways Yang’s greatest Satire, but has, at the same time, the beating pulse of a real dramatic story. In plays on the perception of Taiwan by foreign entities, urban locales, love, father/son relationships, and of course, themes of business & greed that Yang most vehemently loathes. The story is told through a variety of different viewpoints, but we are centered on a small gang of friends/hustlers, apparently led by Red Fish (Tang Congsheng), and consisting of Luen-Luen (Ke Yulun), a gentle-hearted translator, Hong Kong (Chen Chang of Crouching Tiger fame), a ladies man who is able to charm his way into any woman’s pants, and Little Buddha (the same actor who played “Cat” in Yang’s A Brighter Summer Day), a fake Feng-Shui expert who is used in the gang’s various scams. Read More »

  • Paul Newman – Rachel, Rachel (1968)

    Drama1961-1970Paul NewmanQueer Cinema(s)USA

    Paul Newman made his directorial debut and Newman’s wife, Joanne Woodward, stars as Rachel Cameron, a 35-year-old unmarried schoolteacher who feels as though she’s wasted her life. Rachel’s best friend, Calla Mackie (Estelle Parsons), invites her to attend a religious revival meeting. Here Rachel is swept up in the emotional fervor orchestrated by a young guest preacher (Terry Kiser). This is the first of several cathartic incidents which convince Rachel to kick over the traces and express her own needs and emotions. She has a brief sexual liaison with an old family friend (James Olson), and is delighted at the notion that she might have become pregnant. Rachel ends up alone and childless (her “pregnancy” was nothing more than a benign cyst), but still determined to forge a new life for herself. Based the novel A Jest of God by Margaret Laurence, Rachel, Rachel won New York Film Critics awards for both Joanne Woodward and Paul Newman, and an Oscar nomination for Joanne Woodward.Read More »

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