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The north of Portugal. A country way of living that resists, against the odds. Around these two components is woven, through the seasons, the story of the inhabitants of an isolated hamlet. Men and women from different generations, caught between hard work and dreams of emigrating. A film that is remarkably shot and edited. A representation of the world falling between nostalgia and comedy.Read More »
An uncompromising and controversial short set in the Scandinavian suburbia on the hottest day of the summer. A sister reluctantly babysits her little brother. Two young boys catch her attention, and she makes a crucial decision.Read More »
Puissance de la parole is a 25 minutes film made by J-L Godard in 1988. Was financed by France Telecom as a commercial but the company never used for advertising… The film was never officially distributed nor broadcast.
The title is ispired by a Edgar Poe short story (in New extraordinary stories). Godard take some lines from the dialog of Agathos and Oinos and turns it into a classical Godard couple dialog…Read More »
Blurring the line between fiction, documentary, and experimental filmmaking modes, Telaroli herself plays a director attempting to recreate a scene from Michael Curtiz’s Depression-era drama The Cabin in the Cotton. While Telaroli presides over a round robin of collaborators who take turns performing the same scene again and again, a roomful of cameras, phones, and laptops capture the scene and its production from every conceivable angle. Read More »
SYNOPSIS
Respectable bourgeois wife (Renee Saint-Cyr) turns out a mysterious bunch of scarlet roses and yields to temptation of adultery. Vittorio de Sica’s director debut (with supervision by Giuseppe Amato); light but already a little bitter comedy based on skillful Aldo de Benedetti’s stage hit. Naturally, superstar De Sica playing the main role himself – and is on the top of his charm here.
Sadly, there is only Spanish theatrical release (from that time), with Spanish dubbing and titles.Read More »
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A short video commissioned by Les Films du Losange as a tribute to Éric Rohmer by his friend and former colleague Jean-Luc Godard, and is the work that directly precedes the release of the 2010 feature Film Socialisme in Godard’s filmography. It was first presented at the Soirée en hommage à Éric Rohmer on February 8, 2010 at the Cinémathèque Française. The short film consists of various titles of articles that Rohmer wrote for Cahiers du Cinema appearing on a black background as Godard’s narration muses about brief, fragmented memories of Rohmer. It ends with a shot of Godard looking directly into the camera, the 16:9 image’s aspect ratio suddenly squished into 4:3, as he finishes his monologue.Read More »
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Jean-Luc Godard’s densely packed rumination on the need to create order and beauty in a world ruled by chaos is divided into four distinct but tangentially related stories, including the attempts by a young group of idealists to stage a play in war-torn Sarajevo and an elderly director’s efforts to complete his film.Read More »
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The dramatic arc of Friedliche Tage was developed from images and the people who sustained those images. As long as the film is set in the building where the executions are carried out and the delinquents await their end, the tale is told with “classic” suspense. After Hanna leaves there with Robert, her potential executioner played by Branko Samarowski the traditional, linear narrative form dissolves into individual motifs; images that taken together show that these two, as a couple, can’t manage in the “normal” world. And in the end, some viewers are happy that the executioner returns to his old domain. He knows his way around there, he admits to being guilty of leaving. His career is advancing there. Happy ending?Read More »