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Audition is Takashi Miike’s neo-Darwinian exercise in terror, playing out like a comfy companion piece to Shall We Dance? before evolving into a torturous freakshow not unlike Baise-moi. Miike devilishly sets up a discordant relationship between commerce and affection when a filmmaker, Aoyama (Ryo Ishibashi), uses an audition as a way of finding love. His cohort, Yasuhisa (Jun Kunimura), is concerned with the slump in the motion picture industry and advises Aoyama that only the fittest will survive: His deceased wife’s replacement should be good but not necessarily talented. (For him, only good girls can be good wives while only talented girls can shoot a movie.) The audition is then seen as a bridge between fantasy and reality—a successful experiment (or so it seems), for Asami (Eihi Shiina) appears to embody Aoyama’s every ideal.Read More »

from rottentomatoes:
Michael Wadleigh’s WOODSTOCK: THREE DAYS OF PEACE & MUSIC finds the best rock stars of the 1960s performing at the historic Woodstock Music and Art Fair, the most celebrated rock concert of all time. Shot over the course of three days in August 1969, the film conveys the unique spirit of the once-in-a-lifetime, communal event, and in turn, captures the mood of an entire era. Amazingly volatile, electrifying performances are included by such timeless artists as Richie Havens; Joan Baez; The Who; Sha Na Na; Joe Cocker; Country Joe and The Fish; Arlo Guthrie; Crosby, Stills and Nash; Ten Years After; Santana; Sly and the Family Stone; Jimi Hendrix; Canned Heat; John Sebastian; Jefferson Airplane; and Janis Joplin. In addition to the music, the film’s historical relevance is what makes it such an important time capsule, thrillingly eternalizing the legendary event for generations to come.Read More »

Taken from The 92 Faces of Peter Greenaway CD-ROM, 84 Quicktime movie clips of Peter Greenaway discussing a variety of topics. The clips range in length from 6 seconds to 2 minutes 47 seconds.Read More »

New York Times;
New Order’s album ”Power, Corruption and Lies” would make just as fitting a title for the magnificent ode to Factory Records, ”24 Hour Party People,” which tracks the rise and fall of that postpunk label.

Factory Records was the home of New Order and the flamboyantly self-destructive Happy Mondays, whose hot-to-the-touch song gives the film its title. The intersecting point of both these groups, and the story that comes in between, is the film’s central figure: the Factory Records co-founder and journalist turned postpunk impresario, Tony Wilson, played with a stinging, unctuous vitality by Steve Coogan.Read More »

IMDB:
International crime syndicate called the Dragon captures a male and a female scientist, and uses sexual torture through pleasure overload to get them to reveal a secret formula that enables total recall. A CIA agent must rescue them.Read More »

Living on the same floor of a building in the city of São Paulo, Micaela (Renata Gaspar), Diego (Thiago Pethit) e Júlia (Maria Laura Nogueira) share their experiences, failures and achievements.

Quote:
Julia, played by Maria Laura Nogueira, is navigating life after she discovers that her boyfriend was engaged to another woman, making Julia the other woman. As if she couldn’t be more devastated, she finds out that she is pregnant with her ex-boyfriend’s baby. Not to mention that her parents are insisting for her to find a career that will lead to a successful life with a marriage and children since Julia is currently an assistant to a fashion designer.Read More »

Set in the 1950s, a a group of young girls in upstate New York form their own gang.Read More »

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A short love affair of young married woman and police inspector in winter resort will turn into fatal love after chance meeting. Inspired by Chekhov’s story “The Lady with the Dog”.Read More »

Based on a story by Mariya Khalfina. Shura Olevantseva leads a happy life with her children and her loving husband Pavel. One day she hears the news that the woman, who once loved her husband, died and that Sveta, Pavel’s daughter about whom he knew nothing, is now an orphan. It wasn’t easy for Shura to welcome Sveta into her home. It was even more difficult to win her heart, and to give her back the joy of childhood and the belief that she’s not alone. Written by russart.com
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