The final part of Heinz Emigholz’s “Streetscapes” series is a triptych. A prologue examines 3 buildings by Julio Vilamajó in Montevideo. The main part of the film is a cinematic documentation of 29 buildings by the Uruguayan architect and shell-construction master Eladio Dieste (1917-2000).Read More »
S y n o p s i s
A woman living in the Paris suburbs struggles with a loveless marriage and apathy toward her family and friends as she spends her days quietly wandering about her house. Austrian playwright and novelist Peter Handke contributed screenplays to a number of films by director Wim Wenders (Wings of Desire, The Goalie’s Anxiety at the Penalty Kick). Here (in a film that Wenders produced), he provides both the scenario (adapting his novel of the same name) and direction for this meditative examination of domestic ennui.Read More »
Julie, a young coloured women from Rose Hill on the Island of Mauritius, arrives in Switzerland to marry Marcel whom she has only seen on a photograph. But the marriage is a failure. Julie who feels totally lost is looked after by Jean who has fallen in love with her. From now on she lives in the home of Jean’s grand-mother, who is called Jeanne. She is an old, handicapped lady and Julie waits on her. Julie becomes pregnant…Read More »
In the pitch black of the tunnel, rats swarm through piles of garbage as high-speed trains leaving Penn Station tear through the darkness. For some of those who have gone underground, it has been home for as long as twenty five years.
Deeply moving and surprisingly entertaining, Dark Days is an eye-opening experience that shatters the myths of homelessness by revealing a thriving community living in tunnels beneath New York City and honestly capturing their resilience and strength in their struggle to survive.Read More »
Documentary on post-Nouvelle Vague directors with Benoît Jacquot, André Téchiné, Jacques Doillon, Chantal Akerman, Werner Schroeter, Juliette Berto, Leos Carax and footage of Jean Eustache.
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Mildred Pierce (1945) is a classic, post-war film noir mixed with typical soap-operish elements of the woman’s melodramatic picture or “weeper,” including a strand of a typical murder mystery often told by flashback. The family melodrama was significantly modified from its original source due to pressures of the Production Code regarding its sordidness – namely, the incestual behavior of the dissolute playboy character named Monte.Read More »
Overview:
On the surface, this may seem to be an early example of the Japanese exploitation films that would become very popular about five years later. In fact, this film occasionally feels like Seijun Suzuki’s own interpretation, if only for the technicolor cinematography and the presence of some sleazy elements. However, past the surface, this is still very much a Tomu Uchida film. His compassion towards his character and the issues they face, is handled delicately and his semi-cynical humor is as apparent as ever. Still, I’d be lying if I said this was on the same level as Uchida’s own Bloody Spear on Mount Fuji.Read More »
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The great Texas bluesman Lightnin’ Hopkins is captured brilliantly in this deeply moving film. Blank reveals Lightnin’s inspiration, and features a generous helping of classic blues. Includes performances at an outdoor barbeque and a black rodeo; and a visit to his boyhood town of Centerville, Texas. This powerful portrait is among Blank’s special masterworks.Read More »
Dream English Kid is a collage of what Leckey calls ‘found memories’ made from sources such as adverts, TV programmes and music as well as reconstructions using props and models. He made the film after he found a recording on YouTube of a Joy Division concert he attended as a teenager and realised that many of our personal memories can now be found online. While acting as a form of self–portrait for the artist, the film also seeks to connect us all through shared memory and experience.Read More »