Synopsis
The Kohayakawa family is thrown into distress when childlike father Manbei takes up with his old mistress, in one of Ozu’s most deftly modulated blendings of comedy and tragedy.

Dennis Schwartz: “Ozus’ World Movie Reviews” wrote:
This Technicolor film is the deft blending of comedy and tragedy; it’s the penultimate film of arguably Japan’s best filmmaker Yasujiro Ozu (“Early Spring”/”Tokyo Story”/”Late Spring”). It’s co-scripted by the director and his regular screenwriter Kôgo Noda. It features the extended Kohayagawa family, who run a small sake brewery in post-war Japan and in failing times are thinking about merging their business with a larger company.Read More »

‘Honeymoons’ shows us that the distance between Eastern and Western Europe is more than a question of kilometers. The films follows two couples, one is Albania, one in Serbia, who in the midst of wedding celebrations decide to leave their respective countries to realize their dreams in Western Europe. They soon find themselves trapped between their countries’ past and their future lives together.Read More »

Áurea, a solitary teacher, starts a singular relationship with a young man with whom she has a chance encounter. A sensitive soul, she finds herself attracted to his moving beauty which compels her to lose herself. In the days following their first conversation, Áurea displays her feelings during the private classes she’s giving him. This will lead to the revelation of an unusual story from the past that will transform the present.Read More »

Just Another Love Story is about Jonas (Anders W. Berthelsen), a likeable but world-weary husband with a wife and two kids who lives in a leafy suburb and whose life takes an unexpected twist when he inadvertently if at all causes Julia (Rebecka Hemse) to crash her car and go into a coma. When Julia comes out of her coma her memory has vanished. Via a grotesque mix-up she and her nearest and dearest believe that when Jonas pops into the hospital to see how she is, he is in fact Sebastian (Nikolaj Lie Kaas), her exotic new boyfriend, whom they had all been expecting to fly in from abroad. Jonas assumes Sebastians identity and pretends to be the man Julia believes is the love of her life: a brand new identity, a brand new life, and an untrammeled existence full of promise opens up to Jonas. But real life cant be lived on fantasy and exotic dreams, and one day the truth comes knocking at the door.Read More »

From Rockfilm.ru
Rock
It became a cult movie for an entire generation. And it’s significance only increases as the years pass. Rock musicians who were the founders of contemporary rock culture are captured here in their youth: giants such as Boris Grebenshchikov, Yuri Shevchuk, Viktor Tsoi, Oleg Garkusha, and Anton Adasinsky. “Rock” is a film about fate and about music; it is the portrait of a generation. Director Uchitel observes his characters up close, and offers up the same unique opportunity to his audience.
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IMDB:
Riding across Manhattan in a stretch limo in order to get a haircut, a 28-year-old billionaire asset manager’s day devolves into an odyssey with a cast of characters that start to tear his world apart.Read More »

The story of an addicted woman Mahsa who thinks that her girl is dead but when finds out that she is alive and lives by her father (Mahsa’s ex-husband) decides to take her back. This put her to face her ex-husband and his new wife.Read More »

Marina (Dihovichnaya) is a gorgeous upper-crust Muscovite with an opulent wardrobe and good-looking husband to match. She’s employed as a social worker, a profession offering meager financial rewards. Thankfully her affluent father provides the supplementary income her job — and her hapless husband — cannot. Yet instead of finding contentment in her win-win situa­tion, Marina carries on an affair with her best friend’s husband, and also initiates a bizarre series of erotic encounters with a deadbeat cop who previously raped her.Read More »

synopsis – AMG:
Nine-year-old Amine (Hamza Moctar Aguid) and his older brother, Tahir (Ahidjo Mahamat Moussa), are at loose ends when their father walks out on them one day for no apparent reason. Their mother (Zara Haroun) tells them that their father is “irresponsible.” Amine doesn’t understand the word, so he looks it up and ends up believing that it means their father is “not responsible” for his actions. In their search for their father, the boys go to the local cinema, where Amine is convinced that he sees their father up on the screen. He even seems to address them from the film. The two boys steal the film to examine it for evidence of their father’s presence. When they’re caught, their distraught mother gives up and sends them off to a madrasah, a strict Muslim boarding school. There, the headmaster’s grieving wife (Ramada Mahamat), whose own son has drowned, takes pity on Amine, who, on top of his emotional pains, suffers from asthma. Tahir meets a beautiful deaf mute girl (Mounira Khalil) who lives nearby. But the boys are woefully unhappy, and they plot their escape. When another boy teases Amine for his inability to swim, Amine responds with violence, which eventually leads to tragic results. Abouna is the second feature from Chad-born, France-based writer/director Mahamat-Saleh Haroun (Bye Bye Africa). It was shown at New Directors/New Films in 2003. — Josh RalskeRead More »