• René Vautier – Le Remords (1974)

    1971-1980FrancePoliticsRené Vautier

    Synopsis
    A filmmaker witnesses an act of racist police violence in Paris. He discusses with a lady whether and how he should make a film out of this.

    Gossip: Vautier wrote the script for this short film in 1957 already and wanted to shoot it. Yet he couldn’t find an actor. All those he asked saw their respective main directors represented in the piece and didn’t want to take the risk of offending them. So only 17 years later Vautier shot the film – and played the role himself…Read More »

  • Luigi Di Gianni – Il tempo dell’inizio (1974)

    Drama1971-1980ExperimentalItalyLuigi Di Gianni

    Quote:
    Distributed by L’Italnoleggio Cinematografico, with Sven Lasta, Rada Rassimov, Claudio Volonte, Jean Martin, Milena Vucotic
    Presented at the Venice Biennale 1974.
    Segnalazione ufficiale della Critica Cinematografica (SNCCI)
    Winner of the Nastro d’Argento 1975.
    Presented at the Festival du Jeune Cinéma de Toulon 1975.
    Presented at the Festival of New Delhi 1976.
    Presented at the Italian Film Festival in London (British Film Institute) 1976.
    Invited to the Festival of Valladolid 1975.Read More »

  • Slobodan Sijan – Davitelj protiv davitelja AKA Strangler vs. Strangler (1985)

    1981-1990CultHorrorSlobodan SijanYugoslavia

    Quote:
    Belgrade, the capital of Serbia, only became a metropolis when it got its first serial killer. The said killer is a big, fat, shy and mother-fixated man, played to deadpan perfection by one of Serbia’s greatest comedians, Tasko Nacic. He lives with his cruel mother in a gothic apartment resembling those from Mario Bava’s films. He sells flowers and lives by the motto, ‘Those who don’t like carnations don’t deserve to live!’ His victims are the young women who refuse to buy his flowers and humiliate him in public. The film follows the exploits of three main characters: the strangler, the incompetent and highly neurotic inspector on his trail and the nerdy rock singer attracted to the killer’s exploits. The latter’s oedipal desires and sexual angst turn him into a promoter of the strangler’s crimes (through a song devoted to him) and a potential strangler in his own right. –IMDbRead More »

  • Larisa Sadilova – S dnyom rozhdeniya aka Happy Birthday (1998)

    1991-2000ArthouseDramaLarisa SadilovaRussia

    OMG by by Mark Deming
    Blending dramatic situations with a documentary -influenced visual style, S Dnyom rozhdenya / Happy Birthday looks in at a typical day in a Russian maternity hospital. The patients range from a middle aged woman pleased if surprised by her current pregnancy to a Muslim woman whose marriage to a Russian has blighted her relationship with her family. No matter what their situations, the women draw strength and support from each other as they share their common experience. This film was shown at the 1999 Rotterdam Film Festival.Read More »

  • Kaan Müjdeci – Sivas (2014)

    Drama2011-2020Kaan MüjdeciTurkey

    Sivas is a 2014 Turkish drama film directed by Kaan Müjdeci. It was selected to compete for the Golden Lion at the 71st Venice International Film Festival[1][2] where it won the Special Jury Prize. The film was selected as the Turkish entry for the Best Foreign Language Film at the 88th Academy Awards but it was not nominated.

    11-year-old Aslan saves an injured Kangal sheepdog named Sivas, a fighting dog that was left for dead after losing a brutal match. He then tries to use Sivas to impress his classmates, in particular the girl he likes, and even sets up an amateur fight with another boy’s dog. Written by AlpRead More »

  • Lynne Sachs – The Last Happy Day (2009)

    2001-2010ExperimentalLynne SachsUSA

    To mark her 50th birthday, filmmaker Lynne Sachs gathers a group of her contemporaries—all New Yorkers but originally hailing from all corners of the globe—for a weekend of recollection and reflection on the most life-altering personal, local, and international events of the past half- century, creating what Sachs calls “a collective distillation of our times.” Interspersed with poetry and flashes of archival footage, this poignant reverie reveals how far beyond our control life is, and how far we can go despite this.Read More »

  • Parviz Kimiavi – Baghé sangui AKA Garden of Stones (1976)

    1971-1980ArthouseDramaIranParviz Kimiavi

    Synopsis:
    Darvish Khan, a deaf-mute shepherd living in the desert, has a mystical vision in a dream in which he encounters a saint. When he awakens, he finds himself clutching a large stone. Grateful for the vision, he aims to pay homage and begins to construct an unusual monument in its honor. After his wife tells a neighbor that it is miraculous place, news of his ‘garden of stones’ spreads and people from neighboring villages come to see it. The result wreaks havoc upon Darvish Khan’s life. Bagh-e Sangi won the Silver Bear prize for the best film at the 1976 Berlin Film Festival and was shown at the Tehran, London and Paris film festivals. It was recently included at #20 on a list of the 27 best Iranian films, as selected by 14 Iranian directors for the 2014 Fribourg International Film Festival.Read More »

  • Lav Diaz – Melancholia (2008)

    2001-2010ArthouseDramaLav DiazPhilippines

    Melancholia (Lav Diaz, 2008)

    Lav Diaz’s Melancholia is an eight-hour meditation of sorts on the maddening persistence of sadness in this world, can logically be divided into three parts and an epilogue. The first part details the experiences in Sagada of Julian (Perry Dizon), Alberta (Angeli Bayani) and Rina (Malaya Cruz) as they refashion themselves into different drastic identities as part of the radical process that Julian created in order for them to cope with the losses of their loved ones. The second part is set in Manila, with Julian and Alberta living their real lives and addressing the scenarios and situations that accompany their melancholic predicament. Read More »

  • Lukas Dhont – Girl (2018)

    2011-2020BelgiumDramaLukas DhontQueer Cinema(s)

    Quote:

    Determined 15-year-old Lara is committed to becoming a professional ballerina. With the support of her father, she throws herself into this quest for the absolute at a new school. Lara’s adolescent frustrations and impatience are heightened as she realizes her body does not bend so easily to the strict discipline because she was born a boy.Read More »

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