Synopsis:
In the Greek community of Ethiopia in the 1960s, a rich Greek disrupts the relationship between his well-bred daughter and a young man. Three decades later they meet again…Read More »

Letterboxd wrote:
Brakhage’s hand carvings directly into the film emulsions are illuminated and textured by Solomon’s lighting and optical printing.Read More »

Quote:
After a quarrel with his wife, a man leaves their apartment with one suitcase only. Having slept in a train station, the police legitimates him and found him suspicious. Soon he’ll find himself locked in a prison with several other, mostly innocent people. The true horror begins only then.Read More »

Documentary about Toru Takemitsu, composer of the extraordinary scores for such films as Kwaidan, Woman In the Dunes, Ran, and many others. Illustrated with scenes from these films and others, and with interviews with Takemitsu and various directors. Includes studio recording sessions. In English and Japanese, with burnt in English subtitles.Read More »

Plot / Synopsis
50 year old, retired goth rocker Cheyenne travels from London to New York to visit his dying father, and journeys across the United States on a mission to seek revenge against the elusive, ex-Nazi war criminal who persecuted him in Auschwitz. Despondent after two of his young fans commit suicide, Cheyenne retreats to his Dublin mansion and begins living off of his royalties alongside his down-to-earth wife Jane. Later, Cheyenne receives word that his father is dying in New York City. Though they haven’t spoken in 30 years, Cheyenne boards the first available flight to bid his father farewell. Unfortunately, Cheyenne is too late. Upon reconnecting with his cousin Richard, however, the morose musician learns that his father, a Holocaust survivor, had been tracking Auschwitz guard Aloise Lange (Heinz Lieven) around America for decades. Now filled with ennui yet determined not to let Lange escape unpunished, Cheyenne vows to pick up the mission where his father left off.
~ Jason Buchanan, RoviRead More »

Hani’s subsequent work, Morning Schedule , combines his interest in contemporary youth with his continued interest in modern women. The story deals with two high school girls who decide to take a trip together. The fiction feature, which is narrated, was filmed in 8mm and each of the major actors was allowed to shoot part of the film. Further, the audience is informed of who is shooting, thereby acknowledging the filmmaker within the context of the work. The use of 8mm is not new for Hani. More than half of his fourth film was originally shot in 8mm. Likewise, the use of a narrator dates back to A Full Life. Throughout his career, Hani has concerned himself with people who have difficulty in communicating with one another. His documentaries, narratives on social problems, and dramas on emerging women have established his reputation as one of the foremost psychologists of the Japanese cinema.Read More »

German-Finnish coproduction documentary which has not been published before 1999. Film is an accurate description of the Finnish Waffen-SS volunteers from 1941 to 1943. Recruited in spring 1941, trained in Germany and all the way to the Caucasus. Narrated by a young TK man, front radio commentator Veikko Itkonen (1919-1990).Read More »

Quote:
Ekman’s favorite of his own films, and an enduring classic in Scandinavia, “Girl with Hyacinths” examines the mysterious suicide of a young woman (Eva Henning, Ekman’s wife at the time) through a Wellesian multiplicity of points of view. Visually striking, with extreme long takes and images that drift into a dreamlike surrealism, the film reveals its secrets with grace and sympathy, moving toward a final revelation that seems at least a generation ahead of its time.Read More »

Review:
Ox-driven carts full of native crafts line up at a concrete road. We painfully await each and every one of the caravans to finish their diagonal descent and disappear from Lav Diaz’s immobile frame. Ten minutes has passed by, then another fifteen of the same scene of nomadic crafts merchants travelling from one end of the screen to another. The amount of time forces you to observe the surroundings of the traveling group: You delight at the clouds who also move slowly from right to left, the wild grass swaying in relaxed abandon, the majestic view from atop the hill. Before you know it, you share with these crafts merchants the pristine value of time: since you have so much of it. At night, you listen to their songs over a bonfire, their tales of girlfriends throwing away their vows of love to leave with a Japanese man, their worries that their little ones might catch a fever. Diaz pleads you to take a few hours to immerse yourself with their lifestyle; it’s not exactly a harsh request as Diaz rewards you with beautiful scenery — the still scenes may be likened to black and white post cards of rural life in the Philippines.Read More »