Synopsis:
Gabriel has been separated for four years now. Since then his 8 year old daughter is the center of his life. Completely avoiding getting involved in a new romantic relationship, Gabriel focus all his energy in his daughter and work. This plan gets spoiled when Vicky, a platonic love from his adolescence, now a beautiful and independent woman appears in his life. When romance is about to start, she puts one condition: She would never get involved with a man with children. She just does not want children in her life. When Gabriel is confronted with this, he says he has no children. From that moment on his life becomes a torment, playing every trick at hand in order to hide his child and belongings from Vicky in every date.Read More »

A ragout of real memories and mockumentary, as Fellini explores a childhood obsession: circus clowns.

Jeffrey M. Anderson, Combustible Celluloid wrote:
The arc of Federico Fellini’s career is endlessly fascinating. He started as something of a neo-realist, and then his films grew in style and scope until they became bizarre, swirl-colored, phantasmagoric spectacles. Then at one point, he stepped back again and began making more intimate, personal projects in the last section of his career. Made for television, The Clowns seems to have been a crucial turning point; it came immediately after the overblown Satyricon, and it shows an interesting mix of that film, and the film that would come just a few years later, the wonderful Amarcord. It fits perfectly.Read More »

Director Satsuo Yamamoto wields his sarcastic scalpel in this message movie that takes jabs at the practices of the medical profession. Zaizen Goro may only be an assistant professor but he has already made a name for himself. His superior, however, does not approve of his attitude towards their profession, and is at odds over who to nominate as his successor. The selection of the new professor reveals a rich and complex political world inside Naniwa University.Read More »

Quote:
Writer-director-pouter Anna Biller’s influences are as naked as her delightfully curvaceous body is in the riotous 1970s throwback Viva. Biller’s film is to the films of Radley Metzger and Russ Meyer what Todd Haynes’s Far from Heaven was to Douglas Sirk, only perhaps a little bit cannier and a lot less dryly academic about its postmodern tweaks; if Haynes looked back at the 1950s by making his own Rock Hudson update a blue-blooded queer, Viva revisits the golden age of stag filmmaking by putting its likely audience (bored suburbanites with a 16mm projector in their shag-carpeted basement dens) in the starring roles.Read More »

Yong-hyun moves into a creepy apartment which seems somehow familiar to him. His apartment was formerly occupied by a writer who burned to death in his room, but that doesn’t seem to bother the detached young taxi driver. Across the hall from him is Jin-young who endures daily beatings from her husband. Her husband knows of a brutal murder that occurred about 30 years ago within the walls of this building and mysteriously touches on all their lives. Strange secrets begin to reveal themselves sending the characters down a path of terror… (from IMDB)Read More »

Olivia captures the awakening passions of an English adolescent sent away for a year to a small finishing school outside Paris. The innocent but watchful Olivia develops an infatuation for her headmistress, Mlle. Julie, and through this screen of love observes the tense romance between Mlle. Julie and the other head of the school, Mlle. Cara, in its final months. Although not strictly autobiographical, Olivia draws on the author’s experiences at finishing schools run by the charismatic Mlle. Marie Souvestre, whose influence lived on through former students like Natalie Barney and Eleanor Roosevelt. Colette wrote the screenplay for the 1951 film adaptation of the novel.Read More »

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Bittersweet comedy about opression of poor Slovakian people by Austro-Hungarian aristocracy.

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A funny outlaw tale inspired by traditional folk humour. Pacho is no ordinary outlaw. He detests injustice and feudal oppression and he copes with each troublesome situation with the help of his cleverness and wit.Read More »

On Entrevues Belfort website :
“Ideas improve. The meaning of words plays a role in that improvement. Plagiarism is necessary. Progress depends on it. It sticks close to an author’s phrasing, exploits his expressions, deletes a false idea, replaces it with the right one.”Read More »

Synopsis:
Nicolas is an insecure child plagued by visions of disasters and horrible accidents. His peers tease him, and his teachers are frustrated by his lack of social skiills. Nicolas disconnects from the world around him, inhabiting his own friendless, nightmarish realm. On a class trip to a ski resort, Hadkann, the class bully, befriends Nicolas and becomes intrigued by his dreams. As the line between reality and hallucination blurs Nicolas’s visions begin to come true when police find a dead child in the woods, murdered and mutilated. Nicolas knows there is a connection between this crime and his visions, and with Hadkann’s help, he sets out to find it.Read More »