Borowczyk’s portrait of the painter Bona Tibertelli de Pisis and her erotic fusions of men, women and molluscs.Read More »

Luc De Heusch – Les gestes du repas (1958)
1958. 35 mm., black and white, 23′.

Les Gestes du repas (Mealtime Gestures),
This ethnographic film shows us the image of man at his table. An acute view of Belgium.Read More »

Ashes of Paradise (Spanish: Cenizas del Paraíso) is a 1997 Argentine film from director Marcelo Piñeyro. It tells in cutbacks how the untroubled private happiness of a family – a judge and his three grown-up sons – crumbles between loyalty and betrayal, blind trust and suspicions.

The film won several awards, among them a renowned Goya Award, for Best Spanish Language Foreign Film (Mejor Película Extranjera de Habla Hispana). It was Argentina’s official submission for the 1997 Academy Award for Best Foreign Language Film (“Oscar”), but did not receive a nomination for the award.Read More »

Plot Synopsis by Eleanor Mannikka
With dialogue ranging from flat to offensive and acting in the same range, this low-brow erotic crime drama by director Terence Young stars Jayne Mansfield as Midnight Franklin, a star stripper in a Soho club that is in serious rivalry with another strip joint. A reporter gets involved in the strip scene while writing a story on the clubs, and in the end he has quite a lot to write about. The competition between the two clubs heats up, and after one of the owners is the unknowing instrument in the death of a young (illegally young) stripper, both rival clubs head for a crash.Read More »

Clipping, noise, and other distortions are encounters with the threshold of photographic realism. the inner-workings of the systems we employ to generate adequate representations of the world become represented themselves in their failure – Isaac GoesRead More »

Quote:
This movie is probably as close to a chick flick as Raizo ever made! But there’s still good action and a very inventive sword fight at the end. Raizo fans cannot resist him any way. Info is sparse on this film, just recently translated into English, and once again, I rely on Paghat the Ratgirl for a review of this film:

Kiba-no-Masakichi, Masa for short, is a lumber worker who falls in love with Oshima (Tamao Nakamura) almost at first sight, in The One & Only Girl I Ever Loved (Nakayama shichiri, 1962).Read More »

JONATHAN ROSENBAUM:
Quote:

“Far from being a puzzle film (like Citizen Kane or Muriel), Not Reconciled is better described as a ‘lacunary film’, in the same sense that Littré defines a lacunary body: a whole composed of agglomerated crystals with intervals among them, like the interstitial spaces between the cells of an organism”. Jean-Marie Straub’s description of his second film and second Heinrich Böll adaptation (after Machorka-Muff) helps to explain why, although it has more plot than any of his other works — containing even more characters and intrigues than Othon — it is virtually impossible to paraphrase in the form of a synopsis. Read More »

arsenal-berlin.de wrote:
Filmed in a middle school gymnasium in suburban Japan, GOSHOGAOKA takes as its ostensible subject the exercise routines and drills of a girls baskettball team. The film consists of six ten minutes takes, shot with a fixed camera at court level in which the various cadences of chanting voices and bodily movements digress into distinct studies. Taken together they construct a subtle and multi-layered social portrait, a portrait framed within a study of choreographed movement (the routines etc.) and therefore one in which documentary values soon become inseparable from aesthetic ones.Read More »

Synopsis
Soni, a young policewoman in Delhi, and her superintendent, Kalpana, have collectively taken on a growing crisis of violent crimes against women. However, their alliance suffers a major setback when Soni is transferred out for alleged misconduct on duty.Read More »