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One of the later examples of American film noir, The Big Heat is also one of the genre’s most underrated films. Director Fritz Lang utilized many of the elements typical to his other films: unseen yet gruesome violence, relentless pacing, and a hardboiled view of justice and revenge. The sad, realist film has an oppressive feeling of malignity. Glenn Ford is a perfect everyman cop, out for revenge against criminals as well as other cops. In this way, The Big Heat marks a significant transition between the crime movies of two different eras. Read More »

Queen is a ribald hour-long documentary about a “Miss All-American Beauty” contest held in New York in 1967. So what, you say? Well, it happens that all the contestants are male transvestites — and some of them are real knockouts. Alternately hilarious and depressing, Queen was considered the cutting edge of obscene outrageousness when originally distributed by Grove Press (the publishers of several above-the-counter “alternative” magazines of the 1960s). Nowadays it’s practically kid stuff, thanks to the surfeit of TV tabloids and Fox Network sitcoms.allmovie.comRead More »

“THE ORCHESTRA”
(as seen on TV: “Stairway to Lenin”, “Funeral March”, “Ave Maria” and more)

This production received following awards:

“EMMY®”
“Outstanding Achievement in Special Effects” 1990

“Prix Italia”
1990

“Grand Prix”
International Electronic Cinema Festival, Tokyo-Montreux 1990

“Grand Prix”
A.V.A. Festival in Tokyo 1991

“Hi Vision Award”
Tokyo 1990Read More »

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A young woman befriends a lonely widow who’s harboring a dark and deadly agenda toward her.

Director Neil Jordan’s horror drama features Isabelle Huppert and Chloë Grace Moretz. The latter plays a cheerful teenager who returns a handbag to an eccentric, lonely, and seemingly maternal French piano teacher who eventually proves to be a sinister, dangerous, and duplicitous character.Read More »

PLOT DESCRIPTION
The Forgotten Village in this powerful 68-minute documentary is an unnamed, poverty-stricken Mexican community. Living in deplorable conditions, the villagers must not only contend with the elements but with their own lack of inner resourcefulness. In grim detail, the film records the life-cycle of a typical peasant family, from birth to death. Perhaps as a sop to the Mexican authorities, the film ends with the assurance that new government programs have been placed into effect to help the unfortunates depicted on screen. The narration for The Forgotten Village was written by novelist John Steinbeck and spoken by Burgess Meredith, who in 1939 starred in the film version of Steinbeck’s Of Mice and Men. ~ Hal Erickson, All Movie GuideRead More »

Gino, a young and handsome tramp, stops in a small roadside inn run by Giovanna. She is unsatisfied with her older husband Bragana : she only married him for money. Gino and Giovanna fall in love. But Bragana is inhibiting for their passion, and Giovanna refuses to run away with Gino.Read More »

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After 553 days of self-imposed solitude in the wilderness, Emile the poet and St-Pierre the lumberjack head for the nearest town to fulfill the demands of nature, they must find a woman. A nearly fatal experiment in kidnapping brings “the males” running back to their camp, where they find that a woman has come to them voluntarily. With civilization now safely out of reach, they try to set up a perfect, harmonious threesome.Read More »

Two couples, four characters portrayed by eight actors, based on texts, some poems by Gerrit Kouwenaar. The film follows four persons (each played by two different actors alternating in the roles) as they rush about the streets of Amsterdam, each of them extremely busy doing something. One highlight of the film is the reading of several of the poems of celebrated poet Gerrit Kouwenaar. Despite its severely experimental style and deliberate storylessness, this film was sufficiently inventive and rhythmically interesting to receive a warm reception from some critics. [Clarke Fountain, All Movie Guide]Read More »

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Notes on Marie Menken explores the almost forgotten story of the legendary artist Marie Menken (1909-1970) who became one of New York´s outstanding underground experimental filmmakers of the 1940s through the 1960s, inspiring artists such as Stan Brakhage, Andy Warhol, Jonas Mekas, Kenneth Anger, and Gerard Malanga. She was a probable role model of Edward Albee´s “Who´s Afraid of Virginia Woolf?” and ended up
as a Warhol Superstar.Read More »