

Based on the 1964 novel of the same name by Komimasa Tanaka, the film tell the story of a strip-teaser, and her daughter who wishes to join her mother’s profession.Read More »


Based on the 1964 novel of the same name by Komimasa Tanaka, the film tell the story of a strip-teaser, and her daughter who wishes to join her mother’s profession.Read More »


Quote:
Based on a play by Jean Genet, a small-time thief battles with his gay cellmate over a third illiterate, muscular convict.
Leonard Nimoy (Jules LeFranc), Michael Forest (Greeneyes), Paul Mazursky (Maurice), Robert Ellenstein (Guard), Gavin MacLeod (Emil)
Sharing a dank cell in a French prison are Jules LeFranc, a social outcast serving time for a minor theft, and Greeneyes, a convicted murderer awaiting the guillotine. Embarrassed by the pettiness of his offense against a society he detests, Jules openly worships the infamous Greeneyes and longs to be his friend. Read More »


Sethji is a widowed, a businessman and lives a comfortable life with his only daughter, Hansa, his son-in-law, Rahul, and a grandson, Munna. He has Rahul as his right-hand man, and a nephew named Dinesh who also assists in running the business. Petty rivalries and jealousies have grown in the family, and Sethji and Rahul feel that Dinesh is now trying to undermine the business. They would like to get rid of him, without attracting any attention to themselves. They do terminate Dinesh, but this affects Sethji’s health, and he dies. Shortly thereafter, Hansa also dies, leaving Rahul to look after the business on his own. But there are many questions unanswered, like why was no one in attendance with the ailing Sethji; Hansa’s death was a suicide, why was it covered up?; what of the affair that Rahul is having with Janki, their maidservant, who is full of venom against the family; and the involvement of Anita, Rahul’s secretary, in his personal life. With the police getting involved, it is time for them to either come clean or go their separate ways.Read More »

Westward Ho begins as hero John Wyatt (John Wayne) vows to avenge the death of his parents at the hands of cattle rustlers. Years later, Wyatt is put in charge of a band of vigilantes, bent on rounding up a gang of outlaws. He discovers to his chagrin that one of the bandits is his own long-lost brother (Frank McGlynn Jr.) This revelation eventually leads our hero to the men responsible for the slaughter of his family. Gorgeous location photography by Archie J. Stout is the film’s main asset. Though released by Republic, Westward Ho is closer in spirit to John Wayne’s previous “Lone Star” series for Monogram — and small wonder, since it was originally intended to be part of that series.Read More »


Welcome to Lisbon: there are mermaids by the Tagus and birds flying over the old city; there are mad scientists and singing fish; lost tourist guides and lost tourists; fado and sad guitars. What a weird city you may think – but no. Lisbon is about being different, sarcastic, welcoming to foreigners even in an economic crisis. Different directors became fascinated by our strangeness. We became fascinated by these directors. The city is never the same in these four episodes, here in Lisbon.Read More »

This film decisively breaks out of a numerous politicized and social films, it does not dictate to the viewer any particular point of view, perception of the film takes place at the level that the viewer chooses for himself.
Polysemy and uncertainty, appreciated by the surrealists, leads the viewer to choose the “level of difficulty”, however, some viewers can simply perceive it as a parody of the totalitarianism of the Soviet Union.
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Slant Magazine wrote:
Wadjda, a film about the oppression and long-imposed inferiority of women in Saudi Arabia, even begins with a downward-tilted, condescending gaze, offering an opening shot of school girls’ feet. One pair is notably different from the others, sporting purple-laced Chuck Taylors instead of the uniform-y patent-leather slip-ons. These, of course, are the feet of the 10-year-old title character (Waad Mohammed), whose rebellious nature is immediately, ham-handedly underlined as a rally cry for all Saudi women. Reluctant to sing in a choral-type lesson among her tuneful classmates, Wadjda is quiet and unengaged, to which an instructor reacts with, “What’s the matter, Wadjda? You don’t want us to hear your voice?” Cut to Wadjda inside her bedroom full of Western-pop-culture décor, listening to Grouplove’s “Tongue Tied.”Read More »

Good old fashioned daft fun with the croc from Sompote Sands’ classic Crocodile chowing down on Thai villagers and letting small children jump down his throat. This film tells the legendary tale of hero Krai Thong, who used his extreme force, strength of will and superhuman skills when entering a battle to confront the largest crocodile in the world.Read More »

The Grim Reaper (Frederic March) takes the form of a Prince in an attempt to relate to humans and, along the way, also learns what it is to love.Read More »